Josephine has an easy-going relationship with her boyfriend, Luke. But after witnessing her parents' divorce, and as Luke starts to advance in his career an artist, Josephine is forced to contend with challenges growing in her own relationship. By examining a failed marriage, as well as through exploring complex topics of gender in art, the author - through Josephine - challenges set perceptions of relationships and problem resolution. No relationship is easy, and not every person is exactly how they seem. Sometimes it takes a long time to realise the bad, and longer still to rediscover the good on the other side. It's through empathy that we can begin to better understand one another, overcome our pain, and begin to restrengthen the bonds that once connected us.

With The Devil's Muse, Bill Loehfelm returns with another gripping installment in his “edgy, dangerous, but pulsing with life” (Booklist) Maureen Coughlin series. New Orleans’s toughest female cop tackles her very first Mardi Gras Now that she’s back on the force and her work with the FBI is over, Maureen Coughlin should have a quieter life. Until Mardi Gras rolls around, that is. New Orleans’s biggest and most infamous party, Mardi Gras may be fun for the revelers but it’s hell for the NOPD, who try to keep the peace on streets jam-packed with drunken paradegoers and the thousands of tourists pouring into the city to join the action. With all that chaos, the city becomes a breeding ground for crimes of all shapes and sizes. Maureen’s Mardi Gras night starts with a bang when a man in pink zebra-print tights—and nothing else—runs past and throws himself onto the hood of a moving car. It only gets worse when she hears gunshots over the noise of the crowd. In the midst of the revelry, Maureen and her fellow cops must stabilize the shooting victims and hunt down the shooter, all while grappling with massive crowds, a camera crew intent on capturing the investigation for their YouTube channel, an incompetent on-duty detective, and race relations in a city more likely to mistrust cops than ever. It’s going to be one very long night for Maureen.

NEW YORK TIMES BESTSELLER • In J. R. Ward’s thrilling finale to her Bourbon Kings series, the Bradford family dynasty teeters on the edge of collapse after the murder of their patriarch—and a shocking arrest. At first, the death of William Baldwine, the head of the Bradford family, was ruled a suicide. But then his eldest son and sworn enemy, Edward, came forward and confessed to what was, in fact, a murder. Now in police custody, Edward mourns not the disintegration of his family or his loss of freedom . . . but the woman he left behind. His love, Sutton Smythe, is the only person he has ever truly cared about, but as she is the CEO of the Bradford Bourbon Company’s biggest competitor, any relationship between them is impossible. And then there’s the reality of the jail time that Edward is facing. Lane Baldwine was supposed to remain in his role of playboy, forever in his big brother Edward’s shadow. Instead he has become the new head of the family and the company. Convinced that Edward is covering for someone else, Lane and his true love, Lizzie King, go on the trail of a killer—only to discover a secret that is as devastating as it is game-changing. As Lane rushes to discover the truth, and Sutton finds herself irresistibly drawn to Edward in spite of his circumstances, the lives of everyone at Easterly will never be the same again. For some, this is good; for others, it could be a tragedy beyond imagining. Only one thing is for certain: Love survives all things. Even murder. Praise for J. R. Ward’s Bourbon Kings series “A most sinful indulgence . . . The gorgeous Kentucky backdrop will sweep you away.”—Susan Wiggs “Breathless fun!”—Lisa Gardner

The Man Who Would Be Satan Parry was a gifted musician and an apprentice in the arts of White Magic. But his life of sweet promise went disastrously awry following the sudden, violent death of his beloved Jolie. Led down the twisted path of wickedness and depravity by Lilah the harlot demoness, Parry thrived -- first as a sorceror, then as a monk, and finally as a feared inquisitor. But it wasn't until his mortal flame was extinguished that Parry found his true calling -- as the Incarnation of Evil. And, at the gates of Hell, he prepared to wage war on the master himself -- Lucifer, the dark lord -- with dominion over the infernal realms the ultimate prize!

Framed by an understanding that the very concept of what defines the human is often influenced by Renaissance and early modern texts, this book establishes the beginning of the literary development of the satanic form into a humanized form in the seventeenth century. This development is centered on characters and poetry of four seventeenth-century writers: the Satan character in John Milton's Paradise Lost and Paradise Regained, the Tempter in John Bunyan's Grace Abounding to the Chief of Sinners and Diabolus in Bunyan's The Holy War, the poetry of John Wilmot, earl of Rochester, and Dorimant in George Etherege's Man of Mode. The initial understanding of this development is through a sequential reading of Milton and Bunyan which examines the Satan character as an archetype-in-the-making, building upon each to work so that the character metamorphoses from a groveling serpent and fallen archangel to a humanized form embodying the human impulses necessary to commit evil. Rosenfeld then argues that this development continues in Restoration literature, showing that both Rochester and Etherege build upon their literary predecessors to develop the satanic figure towards greater humanity. Ultimately she demonstrates that these writers, taken collectively, have imbued Satan with the characteristics that define the human. This book includes as an epilogue a discussion of Samson in Milton's Samson Agonistes as a later seventeenth-century avatar of the humanized satanic form, providing an example for understanding a stock literary character in the light of early modern texts.

The battle between good and evil—in both the seen and unseen worlds—was clearly at play in the era of C. S. Lewis, J. R. R. Tolkien and their friends in the Oxford literary group, the Inklings. Colin Duriez delves into this interplay, exploring the literature and thought of these writers in regard to evil and spiritual warfare, particularly during wartime.