Los principios bíblicos y declaraciones para enfrentar al demonio y recuperar lo que Dios le ha prometido. ¿Qué de bueno tiene un regalo si el receptor no lo abre y lo acepta? Hay muchas cosas que se le han dado en esta vida que le ayudarán a cumplir el propósito de Dios y el destino en su vida. Pero usted tiene que tomar posesión de estas cosas mediante la plantación de la Palabra de Dios firmemente en su corazón y creer que en realidad le pertenece. En el tercer libro de la serie, la consejera cristiana familiar Iris Delgado, da principios racionales, basados en la Biblia para la toma de posesión de su herencia espiritual, ya sea si es la primera vez que descubre quién es usted en Cristo, o que está reclamando una parte de su herencia espiritual que ha sido robada por el enemigo. ENGLISH DESCRIPTION Confront the devil and take back what's yours ¿What has the enemy stolen from you? ¿What is rightfully yours? ¿Your identity? ¿Your health? ¿Your family? ¿Your peace of mind? ¿Your passion? God has a purpose and a destiny just for you, and He has promised to give you everything you need to fulfill it. But Satan and his demons would like nothing better than for you to miss these blessings. It is time to reclaim them all! These biblical principles, amazing testimonies, and Scripture-based prayers will inspire you to claim possession of God's promises and reclaim any part that has been lost to Satan.

Peleamos en una guerra espiritual que solo puede ser librada con armas espirituales. Satanás y sus demonios no desean para usted otra cosa más que crea que los milagros no ocurren o que solo suceden en otras personas. Satanás, ¡mi milagro no es tuyo! provee una guía esencial para cualquiera que desee ganar esta batalla espiritual. Lleno de principios prácticos, testimonios impactantes y oraciones basadas en las Escrituras, este libro le inspirará a creer en Dios por aquello que aparenta ser imposible en su vida. Aprenda cómo abrirle la puerta a Dios en varias áreas incluyendo: Enfermedades físicas Destructivas ataduras del alma Codependencia Desórdenes alimenticios y asuntos sobre el peso Ser libre de la pobreza, la carencia y los deseos Sumérjase en el reino sobrenatural del Espíritu y atraiga hoy lo milagroso a su vida. ENGLISH DESCRIPTION Access God's promises for healing and miracles We fight in a spiritual war that can only be waged with spiritual weapons. Satan and his demons would like nothing better than for you to believe that miracles don't happen. Or that they only happen to other people. Satan, You Can't Have My Miracle provides an essential guide for anyone who wants to win this spiritual battle. Filled with practical principles, amazing testimonies, and Scripture-based prayers, this book will inspire you to believe God for the impossible in your life. Learn how to open the door to God in areas including: - Physical illness - Destructive soul ties - Codependency - Eating disorders and weight issues - Freedom from poverty, lack, and want Reach into the supernatural realm of the Spirit and bring the miraculous into your life today.

"Satan, You Can't Have My Children" provides clear, powerful spiritual "tools" that can be used to nurture and raise godly children.

DIV Filled with practical principles and Scripture-based prayers, this book gives you the confidence and faith to stand firm against Satan's attacks./div

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta

"A considerable tour de force by any standard." ?New York Times Book Review"

Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.