“... salah satu ‘lagu ulangan’ yang akan kembali berkumandang, khusus oleh kelompok nasionalis ialah; menjajakan keunggulan peradaban Melayu satu ketika dahulu. Di sebalik hujah yang dinyatakan tersebut, salah satu yang sering diabaikan oleh ‘sejarawan retrophiliac’ adalah faktor keadaan manusia Melayu murbawan itu sendiri. Sebagai misalan, soalan yang mungkin sering diabaikan adalah apakah kegemilangan dan kehebatan peradaban Melayu tersebut dapat dikecapi, dinikmati sama-rata atau sampai ke kaum bawahan, rakyat jelata dan manusia kecil?” Faisal Tehrani Kompilasi baru ini mengandungi sepilihan esei-esei provokatif dan polemik karya Faisal Tehrani. Antara tumpuannya termasuk agama, sastera, sejarah dan politik – empat bidang yang biasa menjadi ruang pemikiran konservatif dan reaksioner. Dalam buku ini, hal-hal semasa seperti kesupreman Melayu, pengharaman buku-buku, budaya keagamaan dan lain-lain dibincangkan dalam bentuk yang cukup berseni, berteraskan sumber sejarah dan analisis tajam.

Apalah erti merdeka apabila masih ada kelompok yang miskin kelaparan, nasib wanita yang diperkotak-katikkan, meraikan kebebalan dan pembodohan, menolak semangat kemanusiaan dan kebersamaan, meraikan keradikalan ketimbang keharmonian, tunduk bersujud pada zalimnya kekuasaan dan mengangkat kecurangan lebih dari kejujuran. Serangan terhadap jiwa merdeka berlaku dalam pelbagai ranah termasuklah cara berfikir dan tindakan. Merdeka belum berjiwa yang menjadi tanda tanya harus diselesaikan segera jika tidak dekaden akan menjenguk bangsa.

This volume is the result of a conference held in October 2015 in connection with the Frankfurt Book Fair discussing developments that are considered important in contemporary Indonesian cultural productions. The first part of the book reflects on the traumatic experiences of the Indonesian nation caused by a failed coup on October 1, 1965. In more general theoretical terms, this topic connects to the field of memory studies, which, in recent decades, has made an academic comeback. The focus of the chapters in this section is how certain, often distressing, events are represented in narratives in a variety of media that are periodically renewed, changed, rehearsed, repeated, and performed, in order to become or stay part of the collective memory of a certain group of people. The second part of the book explores how forces of globalisation have impacted upon the local and, linguistically surprisingly, rather homogeneous cultural productions of Indonesia. The main strands of inquiry in this second section are topics of global trends in religion, responses to urban development, the impact of popular literary developments, and how traditions are revisited in order to come to terms with international cultural developments.

This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.

Although intended primarily for Indonesian users, the dictionary will be helpful to speakers of English who wish to know the Indonesian equivalent of an English word or phrase.