A rediscovered classic with gorgeous new illustrations. Out in the wilds of Russia a boy and a wolf are lost in the snow."You're not very big for a wolf," said Sasha."And you're not very big for a man," snapped the wolf.Sasha has always been taught that wolves are dangerous, but when he finds himself lost out in the snow with Ferdy, a wolfcub, he discovers they are not so different. But how can he persuade his village that the wolves can be their friends?

A brilliant bind-up of the rediscovered classics about Sasha and Ferdy the wolf and their adventures.Long ago and far away, on the great snow-covered steppe of Russia . . .Sasha has always been taught that wolves are dangerous, but when he finds himself lost in the snow with Ferdy, a wolfcub, he discovers they are not so different. But how can he persuade his village that the wolves can be their friends?Sasha is excited about the railway coming to their village. But Ferdy is afraid that it will bring new people who do not know that the wolves and humans have learnt to live together. With winter coming, how will Ferdy's pack survive if they have to hide away?Gaia Bordicchia's gorgeous illustrations whisk readers away to a Russian winter long long ago . . .

#1 New York Times bestselling author Nalini Singh allies two fierce changelings in this explosive Psy-Changeling novel. Though DarkRiver sentinel Mercy is feeling the pressure to mate, she resists savagely when Riley Kincaid, a lieutenant from the SnowDancer pack, seeks to possess her. The problem is not simply that he pushes her buttons; the problem is that he’s a wolf, she’s a cat, and they’re both used to being on top. But when a brilliant changeling researcher is kidnapped from DarkRiver territory in a seemingly senseless attack, Mercy and Riley must work together to track the young male—before his shadowy captors decide he’s no longer useful. Along the way, the two dominants may find that submitting to one another uncovers not just a deadly conspiracy, but a passion so raw, it’ll leave them both branded by fire…

A captivating, rhyming picture book retelling of Charles Dickens' classic tale about the true meaning of Christmas. Mean old Ebenezer Scrooge hates everything. Even Christmas! Until, one frosty Christmas Eve, Scrooge receives a visit from three ghostly spirits, who whisk him away on a magical journey through past, present and future... But can they melt his frozen heart before it's too late? Introduce even the youngest of children to this classic story and share in the true spirit of Christmas. Retold in rhyme, with atmospheric illustrations, this will make the perfect Christmas gift.

A remarkable young woman blazes her own trail, from the backwoods of Russia to the court of Moscow, in the exhilarating sequel to Katherine Arden’s bestselling debut novel, The Bear and the Nightingale. Katherine Arden’s enchanting first novel introduced readers to an irresistible heroine. Vasilisa has grown up at the edge of a Russian wilderness, where snowdrifts reach the eaves of her family’s wooden house and there is truth in the fairy tales told around the fire. Vasilisa’s gift for seeing what others do not won her the attention of Morozko—Frost, the winter demon from the stories—and together they saved her people from destruction. But Frost’s aid comes at a cost, and her people have condemned her as a witch. Now Vasilisa faces an impossible choice. Driven from her home by frightened villagers, the only options left for her are marriage or the convent. She cannot bring herself to accept either fate and instead chooses adventure, dressing herself as a boy and setting off astride her magnificent stallion Solovey. But after Vasilisa prevails in a skirmish with bandits, everything changes. The Grand Prince of Moscow anoints her a hero for her exploits, and she is reunited with her beloved sister and brother, who are now part of the Grand Prince’s inner circle. She dares not reveal to the court that she is a girl, for if her deception were discovered it would have terrible consequences for herself and her family. Before she can untangle herself from Moscow’s intrigues—and as Frost provides counsel that may or may not be trustworthy—she will also confront an even graver threat lying in wait for all of Moscow itself. Praise for The Girl in the Tower “[A] magical story set in an alluring Russia.”—Paste “Arden’s lush, lyrical writing cultivates an intoxicating, visceral atmosphere, and her marvelous sense of pacing carries the novel along at a propulsive clip. A masterfully told story of folklore, history, and magic with a spellbinding heroine at the heart of it all.”—Booklist (starred review) “[A] sensual, beautifully written, and emotionally stirring fantasy . . . Fairy tales don’t get better than this.”—Publishers Weekly (starred review) “[Katherine] Arden once again delivers an engaging fantasy that mixes Russian folklore and history with delightful worldbuilding and lively characters.”—Library Journal

In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children’s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads – communist goals, pedagogy, and propaganda – The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate.