Essays on various aspects of the arts and anthropology of the peoples living in Sarawak.

This edited book is the first major review of what has been achieved in Borneo Studies to date. Chapters in this book situate research on Borneo within the general disciplinary fields of the social sciences, with the weight of attention devoted to anthropological research and related fields such as development studies, gender studies, environmental studies, social policy studies and cultural studies. Some of the chapters in this book are extended versions of presentations at the Borneo Research Council’s international conference hosted by Universiti Brunei Darussalam in June 2012 and a Borneo Studies workshop organised in Brunei in 2012. The volume examines some of the major debates and controversies in Borneo Studies, including those which have served to connect post-war research on Borneo to wider scholarship. It also assesses some of the more recent contributions and interests of locally based researchers in universities and other institutions in Borneo itself. The major strength of the book is the inclusion of a substantial amount of research undertaken by scholars working and teaching within the Southeast Asian region. In particular there is an examination of research materials published in the vernacular, notably the outpouring of work published in Indonesian by the Institut Dayakologi in Pontianak. In doing so, the book also addresses the urgent matters which have not received the attention they deserve, specifically subjects, themes and issues that have already been covered but require further contemplation, elaboration and research, and the scope for disciplinary and multidisciplinary collaboration in Borneo Studies. The book is a valuable resource and reference work for students and researchers interested in social science scholarship on Borneo, and for those with wider interests in Indonesia and Malaysia, and in the Southeast Asian region.

Introduction The Sarawak Police Band of Malaysia is a revered musical institution that has captivated audiences and made significant contributions to the country’s cultural landscape (Hendricks et al., 2016). In this captivating introductory chapter, we embark on a fascinating journey to explore the origins and formation of the Sarawak Police Band. We uncover the factors that led to its inception and trace its early steps, weaving a tale that intertwines music, culture, and the commitment to excellence. Our exploration takes us on a chronological analysis of the band’s evolution and development over the years. We delve into the remarkable changes in its instrumentation, performance methods, and musical styles, immersing ourselves in the band’s transformative journey. Additionally, we explore the band’s pedagogical initiatives and its partnerships with educational institutions. We shed light on the training and development programs that have shaped its members into exceptional musicians, elevating the ensemble to new heights.Through this chapter, our aim is to provide a comprehensive overview of the Police Band’s rich history. We illuminate the pivotal moments and transformations that have molded it into the esteemed ensemble it is today. Join us as we embark on this captivating journey through time and discover the fascinating story of the Police Band—a tale that encompasses the power of music, the beauty of culture, and an unwavering commitment to excellence. Main chapter in this book :- A. The band’s Sarawak development and growth over time since 1888 B. The evolution of musical performances and genres. c. Band members’ education and growth

Over 500 cross-referenced dictionary entries are contained in this reference, covering everything from ethno-historical entries to those on culinary favorites and personalities. A chronology, an introductory essay, appendixes, and a bibliography complement the dictionary entries, enhancing the authoritative and up-to-date information provided.

Wide-ranging essays on intangible cultural heritage, with a focus on its negotiation, its value, and how to protect it.

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

This richly illustrated volume offers the reader unique insight into the materiality of Asian cultures and the ways in which objects and practices can simultaneously embody and exhibit aesthetic and functional characteristics, as well as everyday and spiritual aspirations. Though each chapter is representative, rather than exhaustive, in its portrayal of Asian material culture, together they clearly demonstrate that objects are entities that resonate with discourses of human relationships, personal and group identity formations, ethics, values, trade, and, above all, distinctive futures.