Does art have a sex? A study of Sarah Lucas's famous assemblage of objects that suggest male and female body parts.

After 2005, Before 2012 is a major new survey of the work of British sculptor Sarah Lucas (born 1962), from 2005--when her last catalogue raisonn was published--to 2011, in which year she received major solo exhibitions at Two Rooms, Auckland, New Zealand, and Kunsthalle Krems, Austria. The book traces the development of several important bodies of work, from the Penetralia sequence begun in 2008, a series of plaster and fiberglass sculptures of totemic pink phalluses, to the recent series of NUDS sculptures, which consist of nylon tights stuffed with fluff and fashioned into ambiguous biomorphic forms, redolent of Louise Bourgeois. Both series extend Lucas' sculptural exploration of crude genital representations. The book includes a series of interviews between Lucas and artists, curators, writers and friends such as Angus Fairhurst and Angus Cook.

Witty and accessible, Collings' book provides a thorough overview of the life and work of one of the most important artists working in Britain today. Previous books by Collings include 'The London Artworld from Francis Bacon to Damien Hirst', 'It Hurts', 'This is Modern Art' and 'Art Crazy Nation'.

One of the leading figures in an outstanding generation of young British artists who emerged during the 1990s, Sarah Lucas has gained an international reputation for provocative works that frequently employ coarse visual puns and a defiant, bawdy humour. This book explores her oeuvre.

Interleaving colour and black-and-white photographs, Simmons has produced an unparalleled study into the way in which Lucas's life informs and shapes her art. Each chapter focuses on a separate work in a sequence of close-up black-and-white shots in dramatic chiaroscuro, interspersed with images from Mexican streets, bars and houses. The images explore the different figures - huddling or sprawling, with breast-like appendages and bulbous limbs - with an almost pornographic intensity, scrutinising their surface textures and their variously firm and flaccid structures. The book features a series of conversations with Lucas's various friends - interwoven to create a revealing and intimate dialogue with the artist about the making of the series. The tone and typography of the words shifts, taking us from poetic musings to explanations of the works and their titles.

From the Third Coast comes this inspirational interiors book by award-winning interior designers Sandra Lucas and Sarah Eilers, who show us how to design inviting homes with a classical backbone that are stylish and versatile for today's living. Native Houstonians Lucas and Eilers's aesthetic marries the entrepreneurial, can-do spirit of the West with Southern grace. The distinctive influences of their hometown--from the architecture of John Staub to the textures and color palettes of the surrounding Texas ranches and expansive landscapes to the impact of futuristic NASA--infuse their design choices. Whether traditional, contemporary, or transitional in style, the rooms they create are timeless. The duo's seasoned insight into the principles and elements of interior design forms the book's heart. Touching on such topics as scale and proportion, color and light, and pattern and texture, they explore their pragmatic, imaginative approach to creating expressive living spaces in a diverse range of projects from coast to coast. They then tour us through several homes, including a comfortable family ski compound in Utah with repurposed rough-hewn wooden beams and custom forged-steel fireplace surrounds; a Houston shotgun home rich with patina; and a charming Gulf Coast beach house. For those passionate about interiors, this wealth of design fundamentals is inspirational.