Wrongfully convicted and transported to Australia, Sara Dane's future seems bleak. This harsh new world, however, brings her the love of three very different men - Richard Barwell, her first and abiding love; Andrew Maclay, farmer, gambler and smuggler, and Louis Bouget, a wealthy emigre.

This major new reference work, produced in association with the Australian Film Commission, covers the last quarter of a century of Australian film-making for television. It includes 414 films made specifically for television, some of which have to date appeared only on video. 150 mini-series as opposed to long-running drama series are also covered, including famous mini-series such as Bodyline, A Town Like Alice, and The Cowra Breakout.Australia on the Small Screen, with an introduction by the author, Scott Murray, is divided into two parts, covering television films and mini-series. Where available, the following information is given: year of production, length, rating, production details, financial backing, director, producer, scriptwriter, editor, composer, costume designer, sound editor, cinematographer, and full cast details. Each entry ends with a synopsis. Many of the works are illustrated.Here then is a comprehensive reference to two immensely popular and creative forms, and an attractive companion to Australian Film, 1978-1994.

A rehearsal dinner brings together two disparate families in this sparkling, witty novel “This vital novel offers delicious echoes of Virginia Woolf and E. M. Forster, and a touch of A Midsummer Night’s Dream—but its magic is unique. The Garden Party is beautiful and full of life.”—Claire Messud, author of The Burning Girl and The Woman Upstairs The Cohens are wildly impractical intellectuals—academics, activists, and artists. The Barlows are Wall Street Journal–reading lawyers steeped in trusts and copyrights, golf and tennis. The two families are reserved with and wary of each other, but tonight, the evening before the wedding that is supposed to unite them in marriage, they will attempt to set aside their differences over dinner in the garden. As Celia Cohen, the eminent literary critic, sets the table, her husband, Pindar, would much rather be translating ancient recipes for his Babylonian cookbook than hosting this rehearsal dinner. Meanwhile, their son, Adam, the poet (and nervous groom), wonders if there is still time to simply elope. One of Adam’s sisters, Naomi, a passionate but fragile social activist, refuses to leave her room, while Sara, scorpion biologist turned folklore writer, sits up on the roof mourning an imminent breakup. And Pindar’s elderly mother, Leah, witnesses everything, weaving old memories into the present. The lawyers are early: patriarch Stephen Barlow and his bespangled wife, Philippa, who specializes in estates, along with Philippa’s father, Nathan, hobbled by age and Lyme disease. Then come the Barlow sons William (war crimes), Cameron (intellectual property), and Barnes (the prosecutor), each with desperate wife and precocious offspring. How could their younger siblings—Eliza, the bride, an aspiring veterinarian, and her twin brother, Harry, recently expelled from divinity school—have issued from such a family? Up and down the dinner table, with its twenty-four (or is it twenty-five?) guests, unions are forming and dissolving while Pindar is trying to figure out whether time is really shaped like baklava, and off in the surrounding forest with its ancient pond different sorts of mischief will lead to a complicated series of fiascoes and miracles before the party is over. Set over the course of a single day and night, Grace Dane Mazur’s brilliantly observed novel weaves an irresistible portrayal of miscommunication, secrets, and the power of love. “Lyrical and charming, this comedy of errors is a delightful summer read.”—People

Friends Are Friends, Forever is a picture book based on the author's own immigration story, the infinite impact of friendship, and passing on love and kindness around the world. On a snowy Lunar New Year’s Eve in Northeastern China, it’s Dandan’s last night with Yueyue. Tomorrow, she moves to America. The two best friends have a favorite wintertime tradition: crafting paper-cut snowflakes, freezing them outside, and hanging them as ornaments. As they say goodbye, Yueyue presses red paper and a spool of thread into Dandan’s hands so that she can carry on their tradition. But in her new home, Dandan has no one to enjoy the gift with—until a friend comes along.

Shortlisted for the 2017 Sunday Times Young Writer of the Year From critically acclaimed and Baileys Prize-nominated author Sara Taylor comes a dazzling new novel about youth, identity, and family secrets After a fight with Alex’s father, Ma pulls Alex out of bed and onto a pilgrimage of self-discovery through her own enthralling past. Guided by a memory map of places and people from Ma’s life before motherhood, the pair travels from Virginia to California, each new destination and character revealing secrets, stories, and unfinished business. As Alex’s coming-of-age narrative unfolds across the continent, we meet a cast of riveting and heartwarming characters including brilliant Annie, who seeks the help of Ma and Alex to escape the patriarchal cult in which she was raised, and the tragic young Marisol, whose dreams of becoming a mother end in heartbreak. Slowly, Alex begins to realizes that the road trip is not a string of arbitrary stops, but a journey whose destination is perhaps Ma’s biggest secret of all. Told from the perspective of Alex, a teenager who equates gender identification with unwillingly choosing a side in a war, and written with a stunningly assured lyricism, The Lauras is a fearless study of identity, set against the gorgeously rendered landscape of North America.