"Dynamite harkens back to an era of American capitalism a little less glossy, a little bloodier, and with striking parallels to today."--Feminist Review Labor disputes have produced more violence over a longer period of time in the United States than in any other industrialized country in the world. From the 1890s to the 1930s, hardly a year passed without a serious—and often deadly—clash between workers and management. Written in the 1930s, and with a new introduction by Mike Davis, Dynamite recounts a fascinating and largely forgotten history of class and labor struggle in America’s industrial beginnings. It is the story of brutal exploitation, massacres, and judicial murders of the workers. It is also the story of their response: when peaceful strikes yielded no results, workers fought back by any means necessary. Louis Adamic has written the classic story of labor conflict in America, detailing many episodes of labor violence, including the Molly Maguires, the Homestead Strike, Pullman Strike, Colorado Labor Wars, the Los Angeles Times bombing, as well as the case of Sacco and Vanzetti.

This comedy parodies every English mystery play ever written: but it has a decidedly American flair. Miss Maple, a dowager with a reputation for "clever" weekend parties, invites a group of detective writers to eerie Ravenswood Manor on Turkey Island, where they are to impersonate their fictional characters. The hostess has arranged all sorts of amusing incidents: a mysterious voice on the radio, a menacing face at the window, a mad killer on the loose. Who is that body in the wine cellar anyway? Why do little figurines keep toppling from the mantle? Then a real murder takes place, and Miss Maple is outraged. She offers an immense reward to the "detective" who can bring the killer to justice. And what an assortment of zany would-be sleuths! When they're not busy tripping over clues, they trip over each other! Laughs collide with thrills, and the climax is a real seat-grabber as the true killer is unmasked, and almost everyone turns out to be someone else! Can be played as a pure farce, or as humorous satire.