Gathers texts exploring the relationship between Santer ia and esthetics. Essays by artists, scholars, and religious leaders are dedicated mostly to Cuba, with one essay on Brazil and others on various Caribbean artists. Interest in the subject, currently a frequent theme in specialized art publica

Gathers texts exploring the relationship between Santer ia and esthetics. Essays by artists, scholars, and religious leaders are dedicated mostly to Cuba, with one essay on Brazil and others on various Caribbean artists. Interest in the subject, currently a frequent theme in specialized art publica

A true "first," this encyclopedia is the only comprehensive guide ever published on the archaeology and traditional culture of the Caribbean. In The Peoples of the Caribbean, archaeologist Nicholas J. Saunders assembles for the first time a comprehensive sourcebook on the archaeology, folklore, and mythology of the entire region, charting a story 7,000 years in the making. Drawing on decades of study in the Caribbean and South America, Saunders explores landmark archaeological sites, such as Caguana in Puerto Rico, with its ceremonial architecture and ballcourts, and plantation sites, such as Jamaica's Drax Hall. The author dives into the underwater archaeology of Spanish treasure galleons and untangles stories of cannibalism, zombies, and hallucinogenic snuffing rituals. He examines the impact of key Europeans, such as Christopher Columbus, and introduces readers to the native people, such as the Arawak, who welcomed them. Bringing the story up-to-date, Saunders chronicles the struggle of the indigenous people, from the Caribs of Dominica to the Taíno of the Dominican Republic, trying to reclaim and revitalize their historical cultural identity.

In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.

"Black is Beautiful!" The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, politics, and personal appearance in their lives. Craig takes the reader from beauty parlors in the 1940s to late night political meetings in the 1960s to demonstrate the powerful influence of social movements on the experience of daily life. With sources ranging from oral histories of Civil Rights and Black Power Movement activists and men and women who stood on the sidelines to black popular magazines and the black movement press, Ain't I a Beauty Queen? will fascinate those interested in beauty culture, gender, class, and the dynamics of race and social movements.

This book is the landmark study of candomblé, the Afro-Brazilian religion of Bahia, Brazil.