The first biography of the ground breaking Australian doctor who discovered the first pharmacological treatment for mental illness. For most of human history, mental illness has been largely untreatable. Sufferers lived their lives - if they survived - in and out of asylums, accumulating life's wreckage around them. In 1948, all that changed when an Australian doctor and recently returned prisoner of war, working alone in a disused kitchen, set about an experimental treatment for one of the scourges of mankind - manic depression, or bipolar disorder. That doctor was John Cade and in that small kitchen he stirred up a miracle. John Cade discovered a treatment that has become the gold standard for bipolar disorder - lithium. It has stopped more people from committing suicide than a thousand help lines. Lithium is the penicillin story of mental health - the first effective medication discovered for the treatment of a mental illness - and it is, without doubt, Australia's greatest mental health story.

Navajo Sunrise by Elizabeth Lane released on Apr 24, 2002 is available now for purchase.

Madness plays a vital role in many ancient epics: not only do characters go mad, but madness also often occupies a central thematic position in the texts. In this book, Debra Hershkowitz examines from a variety of theoretical angles the representation and poetic function of madness in Greek and Latin epic from Homer through the Flavians, including individual chapters devoted to the Iliad and Odyssey, Virgil's Aeneid, Ovid's Metamorphoses, Lucan's Bellum Civile, and Statius' Thebaid. The study also addresses the difficulty of defining madness, and discusses how each epic explores this problem in a different way, finding its own unique way of conceptualizing madness. Epic madness interacts with ancient models of madness, but also, even more importantly, with previous representations of madness in the literary tradition. Likewise, the reader's response to epic madness is influenced by both ancient and modern views of madness, as well as by an awareness of intertextuality.

“[Stross] has the ability to superimpose an intriguing take on contemporary events over an imaginative story peopled by bizarre characters.” – The Kansas City Star A G2 star doesn’t just explode—not without outside interference. So the survivors of the planet Moscow, which was annihilated in just such an event, have launched a counterattack against the most likely culprit: the neighboring system of New Dresden. But New Dresden wasn’t responsible, and as the deadly missiles approach their target, Rachel Mansour, agent for the interests of Old Earth, is assigned to find out who was. Opposing her is an unknown—and unimaginable—enemy. At stake is not only the fate of New Dresden but also the very order of the universe. And the one person who knows the identity of that enemy is a disaffected teenager who calls herself Wednesday Shadowmist. But Wednesday has no idea what she knows…

I'll Just Hold My Breath, Fancy Pants. . . Oh no. This is so not happening. Her whole life Kat Taylor has been reaching for the brass ring and coming away with nothing but sore knuckles. Not this time. Her flighty Aunt Lila gave her a charming house on Martha's Vineyard for the summer, and now some arrogant, amused, and, okay, surprisingly hunky, British author named Lawrence Kendall says he has a claim to the same cottage! If he thinks that just because he's suave and good-looking and. . .and. . .has that hairy chest and great accent that he can woo her into leaving, well, he can die trying. . . Fine, You Bloody Well Do That, Irrational Woman. . . Kat Taylor may be strange--and rather bewitching--in her foot-stamping protestations, but she is not getting the house. It was granted to Lawrence first and that is that. So. There we are. Very sorry, nice to meet you, have a lovely summer--somewhere else. The last thing Lawrence needs to add to his writer's block is some woman skulking about the house, humming, looking distractingly attractive. Bloody hell. She's not budging. Right. Perhaps the only thing to do is make a temporary peace and ignore each other. . .for two months. Right. Should be no trouble at all. . . Jane Blackwood began her career as a journalist, a line of work which proved life doesn't always have a happy ending. Deciding to take matters into her own hands, Jane, after twelve years working as a reporter, switched careers and now lives in a world where happy endings are not only possible, they are mandatory. It's a much nicer place to be. Jane lives in New England with her husband, three children and their much-loved one-eyed cat. Jane loves to hear from readers.