Inspired by the hit Broadway musical, Annie We all know the story of Little Orphan Annie, who is down on her luck during the Depression until she finds her beloved dog Sandy and her benevolent benefactor Daddy Warbucks. Now the story is told for a younger audience through the eyes of Sandy, providing another perspective and a deeper look into the life of the famous canine character. After being abandoned by his own family, Sandy roams the streets, living his own hard-knock life, until he finds one irrepressible little redhead who will change his life forever. Includes black-and-white illustrations.

As a boy, Alexander ?Sandy? Calder was always fiddling with odds and ends, making objects for friends. When he got older and became an artist, his fiddling led him to create wire sculptures. One day, Sandy made a lion. Next came a lion cage. Before he knew it, he had an entire circus and was traveling between Paris and New York performing a brand-new kind of art for amazed audiences. This is the story of Sandy?s Circus, as told by Tanya Lee Stone with Boris Kulikov?s spectacular and innovative illustrations. Calder?s original circus is on permanent display at the Whitney Museum in New York City.

While visiting the beach, Sandy is horrified by the mess left by other visitors and starts to clean up, and a local environmentalist tells her about limiting her footprint--the effect that how she lives leaves on the environment.

A groundbreaking exploration of how finding one's way later in life can be an advantage to long-term achievement and happiness. “What Yogi Berra observed about a baseball game—it ain't over till it's over—is true about life, and [Late Bloomers] is the ultimate proof of this. . . . It’s a keeper.”—Forbes We live in a society where kids and parents are obsessed with early achievement, from getting perfect scores on SATs to getting into Ivy League colleges to landing an amazing job at Google or Facebook—or even better, creating a start-up with the potential to be the next Google, Facebook or Uber. We see coders and entrepreneurs become millionaires or billionaires before age thirty, and feel we are failing if we are not one of them. Late bloomers, on the other hand, are under-valued—in popular culture, by educators and employers, and even unwittingly by parents. Yet the fact is, a lot of us—most of us—do not explode out of the gates in life. We have to discover our passions and talents and gifts. That was true for author Rich Karlgaard, who had a mediocre academic career at Stanford (which he got into by a fluke) and, after graduating, worked as a dishwasher and night watchman before finding the inner motivation and drive that ultimately led him to start up a high-tech magazine in Silicon Valley, and eventually to become the publisher of Forbes magazine. There is a scientific explanation for why so many of us bloom later in life. The executive function of our brains doesn’t mature until age twenty-five, and later for some. In fact, our brain’s capabilities peak at different ages. We actually experience multiple periods of blooming in our lives. Moreover, late bloomers enjoy hidden strengths because they take their time to discover their way in life—strengths coveted by many employers and partners—including curiosity, insight, compassion, resilience, and wisdom. Based on years of research, personal experience, interviews with neuroscientists, psychologists, and countless people at different stages of their careers, Late Bloomers reveals how and when we achieve our full potential. Praise for Late Bloomers “The underlying message that we should ‘consider a kinder clock for human development’ is a compelling one.”—Financial Times “Late Bloomers spoke to me deeply as a parent of two millennials and as a coach to many new college grads (the children of my friends and associates). It’s a bracing tonic for the anxiety they are swimming through, with a facts-based approach to help us all calm down.”—Robin Wolaner, founder of Parenting magazine

"Andy is small. Sandy is tall. Andy is quiet. Sandy is LOUD. When these two opposites-attract best friends play dress up, anything could happen."--

Ovid's Changing Worlds looks at the four most important English imitations of the Metamorphoses in the English Renaissance: the translations of Arthur Golding and George Sandys, Spenser's Faerie Queene, and Michael Drayton's Poly-Olbion. It sheds new light on dealings with the classics in the period and shows that the emergence of English literature was a complex and fascinating process.