Sometimes the sea won't let you go. And the best thing to do is stop fighting and give in. She never thought the island would be home again. But when Jenna returns to get her late mother's house ready to sell, her past and future intersect in ways she couldn't imagine. She's already dealing with her mother's death and her own recent divorce. The last thing she needs is to face off with her high school nemesis. But she can't seem to avoid Jackson Wells' smirking and frustratingly attractive face. She doesn't know why he's pulling the nice-guy act, but she isn't buying. Because if it isn't an act, Jenna might really be in trouble. Jackson has loved Jenna for half his life. Too bad she still sees him as the punk he was in high school. He just wants a chance to show her that he has changed. But every kindness he tosses her way, she lobs back like a grenade. Jackson can see how high she's built her walls to keep out the pain. Good thing he's prepared to scale them. No matter how long it takes. On a small beach island like Sandover, you can't ever escape your past. Can Jackson and Jenna forge a new future together?

When Jenna returns home to Sandover Island after her mother's death, love is the last thing on her mind. The ink is barely dry on her divorce from her cheating husband and she simply wants to make plans for a new future. But she can't seem to avoid her past. Steve, her childhood sweetheart, shows up on her doorstep as though no time has passed. And she continually runs into Jackson, a man she wishes she never had to see again.Jackson is a changed man--if only he could get Jenna to see it. He is still nursing a crush, but she makes it abundantly clear that she still thinks of him as the bad boy he was in high school. Will Jackson be able to show her the man he has become and tell her how he feels? Or will Jenna fall right back into her old patterns with Steve?

Fragments of Trauma and the Social Production of Suffering: Trauma, History, and Memory offers a kaleidoscope of perspectives that highlight the problem of traumatic memory. Because trauma fragments memory, storytelling is impeded by what is unknowable and what is unspeakable. Each of the contributors tackles the problem of narrativizing memory that is constructed from fragments that have been passed along the generations. When trauma is cultural as well as personal, it becomes even more invisible, as each generation’s attempts at coping push the pain further below the surface. Consequently, that pain becomes increasingly ineffable, haunting succeeding generations. In each story the contributors offer, there emerges the theme of difference, a difference that turns back on itself and makes an accusation. Themes of knowing and unknowing show the terrible toll that trauma takes when there is no one with whom the trauma can be acknowledged and worked through. In the face of utter lack of recognition, what might be known together becomes hidden. Our failure to speak to these unaspirated truths becomes a betrayal of self and also of others. In the case of intergenerational and cultural trauma, we betray not only our ancestors but also the future generations to come. In the face of unacknowledged trauma, this book reveals that we are confronted with the perennial choice of speaking or becoming complicit in our silence.

Hey, Name's Sid Wanna hear my story? Grab me a drink Meet Sid, A man self-made on the fortunes of the modern era but troubled by the habits of old. He's the perfect man in the eyes of society, But behind the tailored shirts and polished shoes lies a past life which haunts his existence. Meet Akshara, A woman looking to be made in the ever growing world but not knowing where to start. While meeting Sid for a position at his company, she senses a spark not kindled within him and he senses a fire ever burning within her. Follow their lives as they walk through their days slowly unfolding the secrets of the past that made them Will they finally find a purpose worth living for, or will life always be "on the rocks?"

Nothing is simple for Rickey Parkitt-Mann, an innocent and impressionable boy who relocates with his family to No. 1 Fighter Wing Air Force Base in Marville, France. The year is 1956, and at the tender age of six, Rickey is thrown into early adolescence, which is filled with surprise, excitement, and insecurity. He lives with his mother, father, and little sister in C-block of the Private Married Quarters (PMQs), eleven miles from the Base. The PMQs are their own little microcosm, with no phones, television, or police to regulate what goes on. Rickey meets a variety of friends and foes (some who seem to be both), including the Air Force Brats—one of the PMQs’ infamous boy gangs. Teased, taunted, and taken for granted, Rickey quickly matures beyond his years. When he’s not navigating the slippery rungs of schoolyard hierarchies, he also travels around Europe with his family, camping, meeting odd characters, and learning more about the world. His life of adventure and learning is occasionally punctuated by moments of shock and tragedy, including the suicide—perhaps murder—of a burgeoning friend. In this exciting work of autobiographical fiction, Richard Andrew Parke-Taylor brings us a stunningly detailed and realistic portrait of boyhood and distant life in the wake of the Second World War. Oscillating between moments of humor and horror, Memories Best Forgotten will rivet the reader until the dramatic final pages.

In this novel's nine chapters, each consisting of two related tales, fantastic figures feature: Grazioni, inventor of the camera profunda; the bald Contessa von Economico; Philophilus the tour-guide; and the two exiles, Martin Magellan and Doctor Duende.