When Jane Austen died in 1817, she left behind 120 pages of manuscript that would eventually be published as Sanditon. Praised by some critics and condemned by others, this final effort by the great English writer has for the most part been overlooked in favor of the novels that were published during her lifetime and shortly after her death. For the first time, an entire book is devoted to examining this fragment to establish it as Jane Austen's potential masterpiece. With a new setting and a greater range of characters than found in earlier works, this novel composed during the last months of her short life, if completed, would at the same time have continued her series of magnificent novels and created new possibilities for novels to come.

This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen’s national and international reputation; her critical reception; creative appropriations of her writings; and Austen’s afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen’s novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women’s Writing.

For the first-century Roman, being clean meant a public two-hour soak in baths of various temperatures, a scraping of the body with a miniature rake, and a final application of oil. For the seventeenth-century aristocratic Frenchman, it meant changing his shirt once a day, using perfume to obliterate both his own aroma and everyone else’s, but never immersing himself in – horrors! – water. By the early 1900s, an extraordinary idea took hold in North America – that frequent bathing, perhaps even a daily bath, was advisable. Not since the Roman Empire had people been so clean, and standards became even more extreme as the millennium approached. Now we live in a deodorized world where germophobes shake hands with their elbows and where sales of hand sanitizers, wipes and sprays are skyrocketing. The apparently routine task of taking up soap and water (or not) is Katherine Ashenburg’s starting point for a unique exploration of Western culture, which yields surprising insights into our notions of privacy, health, individuality, religion and sexuality. Ashenburg searches for clean and dirty in plague-ridden streets, medieval steam baths, castles and tenements, and in bathrooms of every description. She reveals the bizarre rescriptions of history’s doctors as well as the hygienic peccadilloes of kings, mistresses, monks and ordinary citizens, and guides us through the twists and turns to our own understanding of clean, which is no more rational than the rest. Filled with amusing anecdotes and quotations from the great bathers of history, The Dirt on Clean takes us on a journey that is by turns intriguing, humorous, startling and not always for the squeamish. Ashenburg’s tour of history’s baths and bathrooms reveals much about our changing and most intimate selves – what we desire, what we ignore, what we fear, and a significant part of who we are.

Why are we so fascinated with Jane Austen’s novels? Why is Austen so universally beloved? The essayists in this volume offer their thoughts on the delightful puzzle of Austen’s popularity. Classic and contemporary writers—novelists, essayists, journalists, scholars, and a filmmaker—discuss the tricks and treasures of Austen’s novels, from her witty dialogue, to the arc and sweep of her story lines, to her prescriptions for life and love. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed had she lived another twenty years, while Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Amy Bloom, each writer reflects on Austen’s place in both the literary canon and our cultural imagination.

A new exploration of the innovative features of Jane Austen's style.