Jane Austen begin writing her last novel, Sanditon, in 1817, wrote 12 Chapters then put it aside and with her death the same year, never finished it. Sanditon on Reflection is a romance novel based on Jane Austen's work and tells the rest of the story as seen through the eyes of Jane Austen's heroine, a young woman by the name of Charlotte Heywood.

For real lovers of Jane Austen "s work, a completion of her unfinished Sanditon as she might possibly have envisaged it herself. No zombies or other anachronistic gimmicks, but a number of interlaced love stories set against a gently satirical picture of the fads and fancies of the times, above all the rising fashion for sea bathing and the greed and folly that accompanied it.When Charlotte Heywood leaves her large and conservative family of Kentish landowners to stay with the Parkers in the new resort of Sanditon, she expects nothing more than a tranquil seaside holiday. She soon however becomes involved in the life of the little town, and is challenged to measure her own traditional values and tastes against those of financial speculators, affected social climbers, fashionable hypochondriacs, and followers of the new romantic ideas in the arts and human behaviour. Her initial attitude is that of an amused spectator, but soon, to her own surprise, she finds herself falling in love with her host "s younger brother, the witty and fascinating Sidney Parker. Sidney however leaves Sanditon abruptly in the company of Charlotte "s beautiful and enigmatic friend Clara Brereton, with whom Sir Edward Denham, penniless nephew of the town "s patroness and Sgreat lady , is in love, to his avaricious aunt "s displeasure, and the town buzzes with rumours of an elopement Anne Toledo has taught English Literature at university level for many years, specialising in the nineteenth-century novel in general, and in Jane Austen in particular. She is a devoted Janeite, and hopes that this story will appeal to those who share her love and appreciation of Jane Austen "s work at all levels “ as romance, as humorous observation, and as moral satire, and also as a fascinating picture of daily life in middle-class England in the years immediately following the Napoleonic wars.

This exhilarating collection of essays is the product of a lifetime's engagement with Jane Austen's writing. They are modest, searching, wonderfully perceptive essays from which all lovers of Jane Austen, the most knowledgeable as well as those who have just discovered her, will have much to learn. They are essays that send us back to the novels with a renewed understanding of Jane Austen's extraordinary achievement. Prof. Richard Cronin, University of Glasgow This volume presents an exhilarating and insightful collection of essays on Jane Austen – distilling the author’s deep understanding and appreciation of Austen’s works across a lifetime. The volume is both intra- and inter-textual in focus, ranging from perceptive analysis of individual scenes to the exploration of motifs across Austen’s fiction. Full of astute connections, these lively discussions hinge on the study of human behaviour – from family relationships to sickness and hypochondria – highlighting Austen’s artful literary techniques and her powers of human observation. Jane Austen: Reflections of a Reader by (the late) Nora Bartlett is a brilliant contribution to the field of Jane Austen studies, both in its accessible style (which preserves the oral register of the original lectures), and in its foregrounding of the reader in a warm, compelling and incisive conversation about Austen’s works. As such, it will appeal widely to all lovers of Jane Austen, whether first-time readers, students or scholars.

How do Austen's heroines find a way to prevail in their environments? How do they make the landscape work for them? In what ways does Austen herself use landscape to convey meaning? These are among the questions Barbara Britton Wenner asks as she explores

When Jane Austen died in 1817, she left behind 120 pages of manuscript that would eventually be published as Sanditon. Praised by some critics and condemned by others, this final effort by the great English writer has for the most part been overlooked in favor of the novels that were published during her lifetime and shortly after her death. For the first time, an entire book is devoted to examining this fragment to establish it as Jane Austen's potential masterpiece. With a new setting and a greater range of characters than found in earlier works, this novel composed during the last months of her short life, if completed, would at the same time have continued her series of magnificent novels and created new possibilities for novels to come.

From the Joint Chief Curator at Historic Royal Palaces and BBC Television series including Lucy Worsley: Mozart's London Odyssey and Six Wives with Lucy Worsley, available on Netflix. “Worsley is a thoughtful, charming, often hilarious guide to life as it was lived, from the mundane to the esoteric.” -The Boston Globe Why did the flushing toilet take two centuries to catch on? Why did medieval people sleep sitting up? When were the two “dirty centuries”? Why, for centuries, did rich people fear fruit? In her brilliantly and creatively researched book, Lucy Worsley takes us through the bedroom, bathroom, living room, and kitchen, covering the history of each room and exploring what people actually did in bed, in the bath, at the table, and at the stove-from sauce stirring to breast-feeding, teeth cleaning to masturbating, getting dressed to getting married-providing a compelling account of how the four rooms of the home have evolved from medieval times to today, charting revolutionary changes in society.

Although tea had been known and consumed in China and Japan for centuries, it was only in the seventeenth century that Londoners first began drinking it. Over the next two hundred years, its stimulating properties seduced all of British society, as tea found its way into cottages and castles alike. One of the first truly global commodities and now the world’s most popular drink, tea has also, today, come to epitomize British culture and identity. This impressively detailed book offers a rich cultural history of tea, from its ancient origins in China to its spread around the world. The authors recount tea’s arrival in London and follow its increasing salability and import via the East India Company throughout the eighteenth century, inaugurating the first regular exchange—both commercial and cultural—between China and Britain. They look at European scientists’ struggles to understand tea’s history and medicinal properties, and they recount the ways its delicate flavor and exotic preparation have enchanted poets and artists. Exploring everything from its everyday use in social settings to the political and economic controversies it has stirred—such as the Boston Tea Party and the First Opium War—they offer a multilayered look at what was ultimately an imperial industry, a collusion—and often clash—between the world’s greatest powers over control of a simple beverage that has become an enduring pastime.