True love is ever entwined with a higher calling. The majestic Sand “Kum” and the mysterious Sea “Deniz” are immortal lovers, protectors, guardians of the path of Good “Taqwa” against Evil “Fujur”. Since the beginning of mankind, they have been relentlessly watching and aligning the path of true lovers across parallel lives. Özcan Güne?, a young boy with simple desires finds himself on a path conflicting that of his identity. His longing for his soulmate from his dreams grows over the years. Junaid, an unfortunate lad from the war-torn Syrian land, sees his fortunes take a turn when destiny crosses his path with a kind Imam, who offers him education and a better life. Hannah, a Mumbai girl, seeks the love of her life in a faraway land, heeding to the call from her dreams she embarks on a journey to find him, in Turkey. Returning to his home in Syria to be with his family, Junaid meets Bahr (Sea), an orphaned girl, falls in love and marries her albeit through fortunate circumstances and the kindness of many. Soon, the pain of displacement, the vulgarity of loss of life through war, and the suffering of the innocent at the sleeves of ego tear their lives apart. Maryam, the child with magical powers, is fated to change all their lives. She is the nucleus that connects the past and the present. How did she come into Özcan’s life and what is her connection to Hannah? Travel through the portal of Deniz in high tide across parallel lives. Karmic debt follows the protagonists as the war between Fujur and Taqwa brews at the shores of Dalyan and the mystery of the countless grains of sand is revealed. Take this journey to mystical places, sights of historic ruin, swim in the lyrical flow of poetry and much more. Child of Two Worlds is the second book in the Sand & Sea Series.

Uncovering seashells... jumping in the waves... It's a perfect beach day! And what better way to spend it than with a new beach friend? Patricia Hubbell's light verse skips merrily along, while Lisa Campbell Ernst's playful scenes picture a sea that is justwaiting to be splashed in!

People don’t believe in the unseen, anymore, Only in things they can see for sure. They say love and soulmates exist no more, Yet they breathe an unseen air to live for sure. Not every story begins in the here and now. Some transit through time never ending. If time were to cease, then some things would live forever… It began in the garden beneath which rivers flow, the place where the Sand and the Sea were born before creation ¬– the first soulmates, the two halves of one whole, the two parts of the eternity sign. A part Koli, East Indian Catholic, Hannah lives in Mumbai where the Sea always watches over her. Yet her dreams are haunted by a voice that calls to her through the breeze… True love walks beside her in another life, yet she is unable to find a way back in time. Riddled with disappointment and distressing heartbreak, she is hopelessly drawn to the path the Universe has laid before her feet. Drawn to Istanbul, she finds part of the puzzle in the Ezan of the Blue Mosque. Could the man from her dreams be real? What could an Indian woman and a Turkish Imam have in common? Will Hannah find what she searches for? Only those who believe will pass the test. Everyone has their own journey; some get on to the path and to some, the path comes calling. This is the tale of the Sand and the Sea, Hanging on the edge of wait, watch and let’s see.

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.

A day at the beach becomes a lesson in sibling bonding for Gideon in this magical picture book. Every summer, Gideon and his younger sister Audrey build a sandcastle together. But this summer, everything changes. Gideon decides to build the most spectacular sandcastle anyone on the beach has ever seen. And he’s going to do it on his own—without any help from his sister. But much to his surprise, Gideon discovers that building together is more fun and that everyone has their own unique talent when it comes to creativity and imagination, even Audrey.

From Ty McCormick, winner of the Robert F. Kennedy Journalism Award, an epic and timeless story of a family in search of safety, security, and a place to call home. When Asad Hussein was growing up in the world’s largest refugee camp, nearly every aspect of life revolved around getting to America—a distant land where anything was possible. Thousands of displaced families like his were whisked away to the United States in the mid-2000s, leaving the dusty encampment in northeastern Kenya for new lives in suburban America. When Asad was nine, his older sister Maryan was resettled in Arizona, but Asad, his parents, and his other siblings were left behind. In the years they waited to join her, Asad found refuge in dog-eared novels donated by American charities, many of them written by immigrants who had come to the United States from poor and war-torn countries. Maryan nourished his dreams of someday writing such novels, but it would be another fourteen years before he set foot in America. The story of Asad, Maryan, and their family’s escape from Dadaab refugee camp is one of perseverance in the face of overwhelming adversity. It is also a story of happenstance, of long odds and impossibly good luck, and of uncommon generosity. In a world where too many young men are forced to make dangerous sea crossings in search of work, are recruited into extremist groups, and die at the hands of brutal security forces, Asad not only made it to the United States to join Maryan, but won a scholarship to study literature at Princeton—the first person born in Dadaab ever admitted to the prestigious university. Beyond the Sand and Sea is an extraordinary and inspiring book for anyone searching for pinpricks of light in the darkness. Meticulously reported over three years, it reveals the strength of a family of Somali refugees who never lost faith in America—and exposes the broken refugee resettlement system that kept that family trapped for more than two decades and has turned millions into permanent exiles.

From New York Times best-selling author Beth Ferry and Caldecott Honor winner Juana Martinez-Neal comes a sweet-and-salty friendship story perfect for pirate-lovers and fans of The Night Gardener. Captain Swashby loves the sea, his oldest friend. And he loves his life by the sea just as it is: salty and sandy and serene. One day, much to Swashby's chagrin, a young girl and her granny commandeer the empty house next door. All Swashby wants is for his new neighbors to GO AWAY and take their ruckus with them. When Swashby begins to leave notes in the sand for his noisy neighbors, however, the beach interferes with the messages that are getting across. Could it be that the captain's oldest friend, the sea, knows what Swashby needs even better than he knows himself?