The early 1890s through the late 1920s saw an explosion in serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: FrancesEllen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussionfocuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turnof the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers' creation of themselves as artists and raises fundamental questions about the shape of Americanliterary history as it has been constructed in the academy.

On the corner of Central Avenue and Monroe Street, in the center of downtown Phoenix, is the historic Hotel San Carlos. Local Native Americans once worshipped a god of learning in this same area, and so early white settlers chose the site for the city's first school, the Little Adobe School, in 1873. After the Little Adobe School, the location served as a ballpark, a brick schoolhouse, the Central School, and finally the Hotel San Carlos, which opened in March 1928. The first hotel in Phoenix to boast steam heat, elevators, and air-conditioning, Hotel San Carlos has a remarkable story and has even seen its share of movie stars, including Mae West, Gene Autry, and Marilyn Monroe. Clark Gable always stayed in the same corner room on the fourth floor so he could people-watch. Even the friendly ghost of Leone Jensen, who appears regularly at the foot of the guest beds, has added to the unique legacy and continuing popularity of Hotel San Carlos.

“A sympathetic and believable portrait” of the American woman for whom King Edward VIII gave up the throne, with photos included (Christian Science Monitor). A woman's life can really be a succession of lives, each revolving around some emotionally compelling situation or challenge, and each marked off by some intense experience. It was the love story of the century—the king and the commoner. In December 1936, King Edward VIII abdicated the throne to marry “the woman I love,” Wallis Warfield Simpson, a twice-divorced American who quickly became one of the twentieth century's most famous personalities, a figure of intrigue and mystery, both admired and reviled. Wrongly blamed for the abdication crisis, Wallis suffered hostility from the Royal Family and much of the world. Yet interest in her story has remained constant, resulting in a small library of biographies that convey a thinly veiled animosity toward their subject. The truth, however, is infinitely more fascinating than the shallow, pathetic portrait that has often been painted. Using previously untapped sources, acclaimed biographer Greg King presents a complete and, for the first time, sympathetic portrait of the Duchess that sifts the decades of rumor and accusation to reveal the woman behind the legend. From her birth in Pennsylvania during the Gilded Age to her death in Paris in 1986, King takes the reader through a world of privilege, palaces, high society, and love with the accompaniment of hatreds, feuds, conspiracies, and lies. The cast of characters is vast: politicians and presidents, dictators and socialites. Twenty-four pages of photographs reveal the life of the Duchess in all its incomparable glamour and romance. “A wide, absurd cast of characters—led by the British royal family . . . Wallis’ lavish decorati