A young ninja and his adorable younger sister who wants to be just like him are in for the Halloween of their lives in this tender sibling story with graphic novel–inspired illustrations, Samurai style. It is Halloween, and Yukio is excited to celebrate! But whatever Yukio does, his younger sister Kashi follows. When Yukio carves a pumpkin, Kashi carves a similar one. When Yukio maps out his trick-or-treat route, Kashi maps the same one. But when Kashi goes too far, Yukio says some things he doesn’t really mean. Can Yukio make it up to his adoring little sister? Or will Yukio find tricks instead of treats on his Halloween night?

A young ninja wants a snowball fight for Christmas, and he just might get his holiday wish in this picture book with graphic novel–inspired illustrations that celebrate the spirit of giving, Samurai style. It’s snowing on Christmas Eve! Yukio loves snowball fights, but none of the other ninjas will play with him for fear of landing on Santa’s naughty list. Can Yukio chase Santa away from Ninja Village, or will a Samurai Santa thwart Yukio’s plan? An epic snowball fight later, one thing’s for sure: this is going to be Yukio’s best Christmas ever.

The dead cat, Miaowara Tomokato, descends from heaven to get his nephew, Shiro, out of hell. The pair were killed in a fight with Genghis Khan's Mongols, armed with atomic weapons.

Outrageously zany and filed with non-stop surprises, Simon Reade's theatrical adaptation of The Scarecrow and His Servant, renowned author Philip Pullman's fictional children's tale, is an enchanting play for young readers and performers. Delve into the magical world of Scarecrow as you accompany him as Jack, his trusty help-mate, and together you can embark on adventures that will make your head spin.From dodging dangerous bandits and surviving terrifying shipwrecks, to soaring through the skies with wild birds, this play is a roller-coaster ride of never-ending escapades.But when the river-polluting Buffaloni tyrants catch up with you for a final showdown, who will come to your rescue and save the day? A production of The Scarecrow and His Servant ran at the Southwark Playhouse in December 2008-January 2009.

In this behind-the-scenes look at one of the world's top Wall Street investment firms, Partnoy recounts his experience during the annual drunken skeet-shooting competition where he and his colleagues sharpen the killer instincts they're encouraged to use against competitors, clients, and each other.

This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema".

The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai. The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.