In an effort to protect her child from the harsh realities of her impending death, Mary pours her heart into a diary, her legacy to her challenged ten-year-old son, Samson. After her passing, the grief-stricken child writes longingly to his lost momma, in the hopes that his fervent words might reach her in the great beyond. Born with extraordinary powers found only in the primate world, he is a mystery to the medical world. His doctors know of a progressive tumor on his thyroid, but even that can t explain his gigantism. At ten, he is 6 9 and weighs 175 pounds. Nora, his devoted nanny, loves him as if he was her own flesh and blood, and she does her best to encourage the boy. When his mental abilities also begin to grow beyond expectations, only his father believes that it is the work of Mary, his dead wife. At sixteen, 7 6, and 275 pounds, he s on the verge of harnessing his true potential. Soon, he s on his way to glory in professional sports and folk-hero status, but there s a powerful emptiness to his life. Tragedy follows him everywhere. He continues to write to his momma, desperate to know why he keeps losing the ones he loves. At nineteen, undaunted by his doctor s fears that physical exertion will kill him, he experiences a mystical transformation, with his momma and a phalanx of angels to guide him. When his body betrays him, can they or should they save him?"

Hannah Callender Sansom (1737-1801) witnessed the effects of the tumultuous eighteenth century: political struggles, war and peace, and economic development. She experienced the pull of traditional emphases on duty, subjection, and hierarchy and the emergence of radical new ideas promoting free choice, liberty, and independence. Regarding these changes from her position as a well-educated member of the colonial Quaker elite and as a resident of Philadelphia, the principal city in North America, this assertive, outspoken woman described her life and her society in a diary kept intermittently from the time she was twenty-one years old in 1758 through the birth of her first grandchild in 1788. As a young woman, she enjoyed sociable rounds of visits and conviviality. She also had considerable freedom to travel and to develop her interests in the arts, literature, and religion. In 1762, under pressure from her father, she married fellow Quaker Samuel Sansom. While this arranged marriage made financial and social sense, her father's plans failed to consider the emerging goals of sensibility, including free choice and emotional fulfillment in marriage. Hannah Callender Sansom's struggle to become reconciled to an unhappy marriage is related in frank terms both through daily entries and in certain silences in the record. Ultimately she did create a life of meaning centered on children, religion, and domesticity. When her beloved daughter Sarah was of marriageable age, Hannah Callender Sansom made certain that, despite risking her standing among Quakers, Sarah was able to marry for love. Long held in private hands, the complete text of Hannah Callender Sanson's extraordinary diary is published here for the first time. In-depth interpretive essays, as well as explanatory footnotes, provide context for students and other readers. The diary is one of the earliest, fullest documents written by an American woman, and it provides fresh insights into women's experience in early America, the urban milieu of the emerging middle classes, and the culture that shaped both.

With these two passionate, vividly realistic novels, The Pretenders and Mass, F. Sionil José concludes his epochal Rosales Saga. The five volumes span much of the turbulent modern history of the Philippines, a beautiful and embattled nation once occupied by the Spanish, overrun by the Japanese, and dominated by the United States. The portraits painted in The Samsons, and in the previously published Modern Library paperback editions of Dusk and Don Vicente (containing Tree and My Brother, My Executioner), are vivid renderings of one family from the village of Rosales who contend with the forces of oppression and human nature. Antonio Samson of The Pretenders is ambitious, educated, and torn by conflicting ideas of revolution. He marries well, which leads to his eventual downfall. In Mass, Pepe Samson, the bastard son of Antonio, is also ambitious, but in different ways. He comes to Manila mainly to satisfy his appetites, and after adventures erotic and economic, finds his life taking a surprising turn. Together, these novels form a portrait of a village and a nation, and conclude one of the masterpieces of Southeast Asian literature.