The past haunts everyone in its own way, but we all move on and learn from it. Can Sam run from her past for long or will it finally catch up with her. She has tired so hard to forget and move on but a new verse of her life is bout to meet the nightmares of her past. Josh doesnt know bout Sams past, will she tell him before its to late or will her secrets destroy the life they could heve together.

To win a $5000 reward, a chef named Dan agrees to stay in a haunted house overnight and when he meets a very hungry ghost, he gets more than he had expected.

The delicious horror of Ransom Riggs and the sass of Mean Girls meets Titanic in this follow-up to the #1 New York Times bestseller How to Hang a Witch, in which a contemporary teen finds herself a passenger on the famous “ship of dreams”—a story made all the more fascinating because the author’s own relatives survived the doomed voyage. Samantha Mather knew her family’s connection to the infamous Salem Witch Trials might pose obstacles to an active social life. But having survived one curse, she never thought she’d find herself at the center of a new one. This time, Sam is having recurring dreams about the Titanic . . . where she’s been walking the deck with first-class passengers, like her aunt and uncle. Meanwhile, in Sam’s waking life, strange missives from the Titanic have been finding their way to her, along with haunting visions of people who went down with the ship. Ultimately, Sam and the Descendants, along with some help from heartthrob Elijah, must unravel who is behind the spell that is drawing her ever further into the dream ship . . . and closer to sharing the same grim fate as its ghostly passengers. Praise for How to Hang a Witch: “It’s like Mean Girls meets history class in the best possible way.” —Seventeen “Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle.com “Strikes a careful balance of creepy, fun, and thoughtful.” —NPR “I am utterly addicted to Adriana Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places

Exploring the pervasive presence of the Victorian past in contemporary culture, these essays use the trope of haunting and spectrality as a critical tool with which to consider neo-Victorian works, as well as our ongoing fascination with the Victorians, combining original readings of well-known novels with engaging analyses of lesser-known works.

“Reluctant readers and fans of the Wimpy Kid series and its ilk will appreciate the book’s dynamic type, graphics galore, cartoonish illustrations, and ironic footnotes.”—Kirkus Don’t call him scaredy-cat Sam, because Sam Wu IS NOT AFRAID of ghosts! Except . . . he totally is. Can he conquer his fear by facing the ghost that lives in the walls of his house? After an unfortunate (and very embarrassing) incident in the Space Museum, Sam goes on a mission to prove to the school bully, and all his friends, that he’s not afraid of anything—just like the heroes on his favorite show, Space Blasters. And when it looks like his house is haunted, Sam gets the chance to prove how brave he can be. A funny, touching, and charming story of ghost hunting, escaped pet snakes, and cats with attitude!

"Built in 1847 on the banks of the Ohio River, the Bellaire House is reputed to be one of the most haunted houses in America. Since the early 20th century, it has earned a reputation as a hotbed of paranormal activity-the site of apparitions, curses, psychic assaults, and violence. This is a collection of true ghost stories from the former owner of the Bellaire House and the proprietor of the Bellaire House Afterlife Research Center"--

An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation. At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism. In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.