A boy describes some of the many feelings he has about his brother Sammy, who is autistic.

"The most winning junior detective ever in teen lit. (Take that, Nancy Drew!)" —Midwest Children's Book Review What Sammy should have done was put the binoculars down and call 911. What she does instead is tighten up the focus on her right eye to get a better look. There's something very familiar about this thief. But when Sammy eventually spills her story to Officer Borsch, he doesn't believe her. He treats her like some snot-nosed little kid. Well, Sammy's not going to stand for that. She's a snot-nosed seventh grader now, and she knows what she saw. And somehow she's going to prove it. The Sammy Keyes mysteries are fast-paced, funny, thoroughly modern, and true whodunits. Each mystery is exciting and dramatic, but it's the drama in Sammy's personal life that keeps readers coming back to see what happens next with her love interest Casey, her soap-star mother, and her mysterious father.

The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s. Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.

Sammy, the best hound dog in the whole wide world, loves his girl and she loves him. When illness cuts Sammy's life short, the girl's family keeps his spirit alive by celebrating his love of chasing wind-blown bubbles, keeping loyal guard at night, and offering his velvety fur for endless pats and tummy scratches. Painter Jamie Wyeth's illustrations - infused with his realist style and lifelong fondness for dogs - radiate the joy and sadness of every tongue-licking, tail-wagging moment in this heartening and lovingly rendered story written by Barbara Walsh.

For almost forty years, Sammy Hagar has been a fixture in rock music. From breaking into the industry with the band Montrose to his multiplatinum solo career to his ride as the front man of Van Halen, Sammy's powerful and unforgettable voice has set the tone for some of the greatest rock anthems ever written—songs like "I Can't Drive 55," "Right Now," and "Why Can't This Be Love." In Red, Sammy tells the outrageous story of his tear through rock 'n' roll. From the decadence of being one of the world's biggest rock stars to the unfiltered story of being forced out of Van Halen, Sammy's account spares no one, least of all himself. His is a tale of a true rock 'n' roller—someone who's spent decades bringing the party with him wherever he goes but always headin' back to Cabo for mÁs tequila.