Ravaged by civil war throughout the 1980s and 1990s, El Salvador has now emerged as a study in contradictions. It is a country where urban call centers and shopping malls exist alongside rural poverty. It is a land now at peace but still grappling with a legacy of violence. It is a place marked by deep social divides, yet offering a surprising abundance of inclusive spaces. Above all, it is a nation without borders, as widespread emigration during the war has led Salvadorans to develop a truly transnational sense of identity. In Salvadoran Imaginaries, Cecilia M. Rivas takes us on a journey through twenty-first century El Salvador and to the diverse range of sites where the nation’s postwar identity is being forged. Combining field ethnography with media research, Rivas deftly toggles between the physical spaces where the new El Salvador is starting to emerge and the virtual spaces where Salvadoran identity is being imagined, including newspapers, literature, and digital media. This interdisciplinary approach enables her to explore the multitude of ways that Salvadorans negotiate between reality and representation, between local neighborhoods and transnational imagined communities, between present conditions and dreams for the future. Everyday life in El Salvador may seem like a simple matter, but Rivas digs deeper, across many different layers of society, revealing a wealth of complex feelings that the nation’s citizens have about power, opportunity, safety, migration, and community. Filled with first-hand interviews and unique archival research, Salvadoran Imaginaries offers a fresh take on an emerging nation and its people.

Ravaged by civil war throughout the 1980s and 1990s, El Salvador has now emerged as a study in contradictions. It is a country where urban call centers and shopping malls exist alongside rural poverty. It is a land now at peace but still grappling with a legacy of violence. It is a place marked by deep social divides, yet offering a surprising abundance of inclusive spaces. Above all, it is a nation without borders, as widespread emigration during the war has led Salvadorans to develop a truly transnational sense of identity. In Salvadoran Imaginaries, Cecilia M. Rivas takes us on a journey through twenty-first century El Salvador and to the diverse range of sites where the nation’s postwar identity is being forged. Combining field ethnography with media research, Rivas deftly toggles between the physical spaces where the new El Salvador is starting to emerge and the virtual spaces where Salvadoran identity is being imagined, including newspapers, literature, and digital media. This interdisciplinary approach enables her to explore the multitude of ways that Salvadorans negotiate between reality and representation, between local neighborhoods and transnational imagined communities, between present conditions and dreams for the future. Everyday life in El Salvador may seem like a simple matter, but Rivas digs deeper, across many different layers of society, revealing a wealth of complex feelings that the nation’s citizens have about power, opportunity, safety, migration, and community. Filled with first-hand interviews and unique archival research, Salvadoran Imaginaries offers a fresh take on an emerging nation and its people.

In light of new proposals to control undocumented migrants in the United States, Parcels prioritizes rural Salvadoran remembering in an effort to combat the collective amnesia that supports the logic of these historically myopic strategies. Mike Anastario investigates the social memories of individuals from a town he refers to as “El Norteño,” a rural municipality in El Salvador that was heavily impacted by the Salvadoran Civil War, which in turn fueled a mass exodus to the United States. By working with two viajeros (travelers) who exchanged encomiendas (parcels containing food, medicine, documents, photographs and letters) between those in the U.S. and El Salvador, Anastario tells the story behind parcels and illuminates their larger cultural and structural significance. This narrative approach elucidates key arguments concerning the ways in which social memory permits and is shaped by structural violence, particularly the U.S. actions and policies that have resulted in the emotional and physical distress of so many Salvadorans. The book uses analyses of testimonies, statistics, memories of migration, the war and, of course, the many parcels sent over the border to create an innovative and necessary account of post-Civil War El Salvador.

Living Together Across Borders: Care Through Communication in Separated Salvadoran Families tells the stories of extended families living stretched between a rural Salvadoran village and the urban locations in the United States where their migrant relatives live. Author Lynnette Arnold focuses on their cross-border conversations, demonstrating that this communication is a vital resource for enacting care-at-a-distance. She examines seemingly mundane interactions including greetings, remittance negotiations, and reminiscing together. Arnold demonstrates that while these practices are distributed in ways that reinforce boundaries between migrant and non-migrant relatives, families simultaneously use these same practices to build convivencia (living-together) despite ongoing separation.

Central Americans are the third largest and fastest growing Latino population in the United States. And yet, despite their demographic presence, there has been little scholarship focused on this group. Constituting Central American-Americans is an exploration of the historical and disciplinary conditions that have structured U.S. Central American identity and of the ways in which this identity challenges how we frame current discussions of Latina/o, American ethnic, and diasporic identities. By focusing on the formation of Central American identity in the U.S., Maritza E. Cárdenas challenges us to think about Central America and its diaspora in relation to other U.S. ethno-racial identities.

It is widely recognized that Latinos are a sizable and diverse population and that we are a young demographic. The median age of non-Hispanic white Americans is 58, whereas for Latinos it is 30.Footnote1 Perhaps this partially explains the dearth of attention afforded to the topic of aging Latinos by academic scholarship and the mainstream media. This special issue compellingly alerts us to the reality that there is a growing, aging Latino population about which we know very little and that deserves our attention. I am grateful to Katynka Martínez and Mérida Rúa for curating “The Art of Latina and Latino Elderhood,” since this special issue responds to this significant gap in our knowledge with an exciting set of academic articles and creative contributions that challenges not only our assumptions about Latinos and aging but also our thinking on the types of contributions we include in our journal pages. Katynka and Mérida make the case that the story of Latino elderhood is best conveyed through a truly multidisciplinary and interdisciplinary approach, bringing together public policy, humanistic social sciences, and artistic interventions. So, for the first time, Latino Studies is pleased to feature a novel in progress, a photo essay/dialógo, an artist’s monologue, and a dialogue among actors alongside more traditional academic articles. I think you will agree that this issue before you beautifully conveys why the subject of Latinos and aging should concern all of us, and that it will powerfully spur other researchers and artists to take up the invitation to continue to share new evocative stories about the pleasures, difficulties, and complexities of Latinx later life. Previously published in Latino Studies Volume 19, issue 4, December 2021