Engaging feminist hermeneutics and philosophy in addition to more traditional methods of biblical study, Salty Wives, Spirited Mothers, and Savvy Widows demonstrates and celebrates the remarkable capability and ingenuity of several women in the Gospel of Luke. While recent studies have exposed women's limited opportunities for ministry in Luke, Scott Spencer pulls the pendulum back from a negative feminist-critical pole toward a more constructive center. Granting that Luke sends somewhat "mixed messages" about women's work and status as Jesus' disciples, Spencer analyzes such women as Mary, Elizabeth, Joanna, Martha and Mary, and the infamous yet intriguing wife of Lot -- whom Jesus exhorts his followers to "remember" -- as well as the unrelentingly persistent women characters in Jesus' parables.

Engaging feminist hermeneutics and philosophy in addition to more traditional methods of biblical study, Salty Wives, Spirited Mothers, and Savvy Widows demonstrates and celebrates the remarkable capability and ingenuity of several women in the Gospel of Luke. While recent studies have exposed women's limited opportunities for ministry in Luke, Scott Spencer pulls the pendulum back from a negative feminist-critical pole toward a more constructive center. Granting that Luke sends somewhat "mixed messages" about women's work and status as Jesus' disciples, Spencer analyzes such women as Mary, Elizabeth, Joanna, Martha and Mary, and the infamous yet intriguing wife of Lot -- whom Jesus exhorts his followers to "remember" -- as well as the unrelentingly persistent women characters in Jesus' parables.

Engaging feminist hermeneutics and philosophy in addition to more traditional methods of biblical study, Salty Wives, Spirited Mothers, and Savvy Widows demonstrates and celebrates the remarkable capability and ingenuity of several women in the Gospel of Luke. While recent studies have exposed women's limited opportunities for ministry in Luke, Scott Spencer pulls the pendulum back from a negative feminist-critical pole toward a more constructive center. Granting that Luke sends somewhat "mixed messages" about women's work and status as Jesus' disciples, Spencer analyzes such women as Mary, Elizabeth, Joanna, Martha and Mary, and the infamous yet intriguing wife of Lot -- whom Jesus exhorts his followers to "remember" -- as well as the unrelentingly persistent women characters in Jesus' parables.

New Testament scholars typically assume that the men who pervade the pages of Luke's two volumes are models of an implied "manliness." Scholars rarely question how Lukan men measure up to ancient masculine mores, even though masculinity is increasingly becoming a topic of inquiry in the field of New Testament and its related disciplines. Drawing especially from gender-critical work in classics, Brittany Wilson addresses this lacuna by examining key male characters in Luke-Acts in relation to constructions of masculinity in the Greco-Roman world. Of all Luke's male characters, Wilson maintains that four in particular problematize elite masculine norms: namely, Zechariah (the father of John the Baptist), the Ethiopian eunuch, Paul, and, above all, Jesus. She further explains that these men do not protect their bodily boundaries nor do they embody corporeal control, two interrelated male gender norms. Indeed, Zechariah loses his ability to speak, the Ethiopian eunuch is castrated, Paul loses his ability to see, and Jesus is put to death on the cross. With these bodily "violations," Wilson argues, Luke points to the all-powerful nature of God and in the process reconfigures--or refigures--men's own claims to power. Luke, however, not only refigures the so-called prerogative of male power, but he refigures the parameters of power itself. According to Luke, God provides an alternative construal of power in the figure of Jesus and thus redefines what it means to be masculine. Thus, for Luke, "real" men look manifestly unmanly. Wilson's findings in Unmanly Men will shatter long-held assumptions in scholarly circles and beyond about gendered interpretations of the New Testament, and how they can be used to understand the roles of the Bible's key characters.

The Reverend Professor Dorothy A. Lee FAHA is well-known as a New Testament scholar not only in Australia but around the world. An Anglican priest, her ministry, particularly as a preacher and retreat director, is highly regarded and highly sought after, not only in her home city of Melbourne, but in many parts of the country. This Festschrift volume honors her contributions and ministry on the occasion of her seventieth birthday. An interdisciplinary collection of twenty-one essays, it offers two biographical contributions, several essays on New Testament themes, essays on women, feminism, and the church, and cross-disciplinary essays focused on the biblical text. Contributors to the volume come from Australian theological education centers and Australian churches.

Biblical narratives are not simply sacred stories for religious communities: They are stories that provide transformative insight into cultural biases. By putting historical criticism and reception history into dialogue with womanist biblical hermeneutics, Luke, Widows, Judges, and Stereotypes offers a provocative reading of Jesus’ parable about a widow who confronts a judge and obtains what she seeks by means of physical threat. Rather than simply reading the widow as the model for “one who prays always and does not lose heart” (Luke 18:1), Dickerson shows that read in the context of Luke’s wider narrative, the widow, domesticated and robbed both of her agency and moral ambiguity, is more likely demanding vengeance instead of justice. Likewise, rather than simply reading the judge as one "who neither feared God nor had respect for people" (Luke 18:2), Dickerson argues that the judge is both an ideal man and one who compromises standards of ancient masculinity. Then, reading both the widow and judge through African American stereotypes (Mammy, Jezebel, Sapphire, Cool Black Male, Master-Pastor, and Foolish Judge) that are used to degrade, debase, and control, and reading them into and in light of the parable, Dickerson demonstrates how the parable calls into question these stereotypes thereby producing new liberative readings.

Like all skilful authors, the composer of the biblical books of Luke and Acts understood that a good story requires more than a gripping plot - a persuasive narrative also needs well-portrayed, plot-enhancing characters. This book brings together a set of new essays examining characters and characterization in those books from a variety of methodological perspectives. The essays illustrate how narratological, sociolinguistic, reader-response, feminist, redaction, reception historical, and comparative literature approaches can be fruitfully applied to the question of Luke's techniques of characterization. Theoretical and methodological discussions are complemented with case studies of specific Lukan characters. Together, the essays reflect the understanding that while many of the literary techniques involved in characterization attest a certain universality, each writer also brings his or her own unique perspective and talent to the portrayal and use of characters, with the result that analysis of a writer's characters and style of characterization can enhance appreciation of that writer's work.