An "excellent," darkly-told crime novel in the tradition of Tana French and Ian Rankin (Wall Street Journal) Sergeant Alexandra Cupidi is a recent transfer from the London metro police to the rugged Kentish countryside. She's done little to ingratiate herself with her new colleagues, who find her too brash, urban, and--to make matters worse, she investigated her first partner, a veteran detective, and had him arrested on murder charges. Now assigned the brash young Constable Jill Ferriter to look after, she's facing another bizarre case: a woman found floating in local marsh land, dead of no apparent cause. The case gets even stranger when the detectives contact the victim's next of kin, her son, a high-powered graphic designer living in London. Adopted at the age of two, he'd never known his mother, he tells the detectives, until a homeless womanknocked on his door, claiming to be his mother, just the night before: at the same time her body was being dredged from the water. Juggling the case, her aging mother, her teenage daughter, and the loneliness of country life, Detective Cupidi must discover who the woman really was, who killed her, and how she managed to reconnect with her long lost son, apparently from beyond the grave.

An "excellent," darkly-told crime novel in the tradition of Tana French and Ian Rankin (Wall Street Journal). Sergeant Alexandra Cupidi is a recent transfer from the London metro police to the rugged Kentish countryside. She's done little to ingratiate herself with her new colleagues, who find her too brash, urban, and -- to make matters worse -- she investigated her first partner, a veteran detective, and had him arrested on murder charges. Now assigned the brash young Constable Jill Ferriter to look after, she's facing another bizarre case: a woman found floating in local marsh land, dead of no apparent cause. The case gets even stranger when the detectives contact the victim's next of kin, her son, a high-powered graphic designer living in London. Adopted at the age of two, he'd never known his mother, he tells the detectives, until a homeless womanknocked on his door, claiming to be his mother, just the night before: at the same time her body was being dredged from the water. Juggling the case, her aging mother, her teenage daughter, and the loneliness of country life, Detective Cupidi must discover who the woman really was, who killed her, and how she managed to reconnect with her long lost son, apparently from beyond the grave.

Police Sergeant William South has a good reason to shy away from murder investigations: he is a murderer himself. A methodical, diligent, and exceptionally bright detective, South is an avid birdwatcher and trusted figure in his small town on the rugged Kentish coast. He also lives with the deeply buried secret that, as a child in Northern Ireland, he may have killed a man. When a fellow birdwatcher is found murdered in his remote home, South's world flips. The culprit seems to be a drifter from South's childhood; the victim was the only person connecting South to his early crime; and a troubled, vivacious new female sergeant has been relocated from London and assigned to work with South. As our hero investigates, he must work ever-harder to keep his own connections to the victim, and his past, a secret. The Birdwatcher is British crime fiction at its finest; a stirring portrait of flawed, vulnerable investigators; a meticulously constructed mystery; and a primal story of fear, loyalty and vengeance. **Longlisted for the Theakston Old Peculier Crime Novel of the Year

Compelling and vivid, the stories in Bread and Salt use the metaphor of salvage to consider the reclamation of the natural environment, human relationships, and material objects. The characters in these stories live and travel in Tunisia, India, Indonesia, Italy, Turkey, France, and the United States and consider their individual agency in both local and global contexts. The characters' conflicts reveal how family and friendships are enriched by differences.

The news of her mother's terminal illness trigers a series of memories in Ruth about how the two of them have become so alienated from each other. Each story is followed by a midrash.

***The bestselling William Shaw returns with a thrilling investigation in the unmissable new series*** 'One of the great rising talents of UK crime fiction' PETER JAMES 'If you're not a fan yet, why not?' VAL MCDERMID 'A superb storyteller' PETER MAY YOU CAN RUN The two boys never fitted in. Seventeen, the worst age, nothing to do but smoke weed; at least they have each other. The day they speed off on a moped with a stolen mobile, they're ready to celebrate their luck at last. Until their victim comes looking for what's his - and ready to kill for it. YOU CAN HIDE On the other side of Kent's wealth divide, DS Alexandra Cupidi faces the strangest murder investigation of her career. A severed limb, hidden inside a modern sculpture in Margate's Turner Contemporary. No one takes it seriously - not even the artwork's owners, celebrity dealers who act like they're above the law. YOU CAN DIE But as Cupidi's case becomes ever more sinister, as she wrangles with police politics and personal dilemmas, she can't help worrying about those runaway boys. Seventeen, the same age as her own headstrong daughter. Alone, on the marshes, they're pawns in someone else's game. Two worlds are about to collide. Kent and its social divisions are brilliantly captured in Deadland, a crime thriller that's as ingeniously unguessable as it is moving and powerful.