The Oxford Handbook of Nineteenth-Century American Literature will offer a cutting-edge assessment of the period's literature, offering readers practical insights and proactive strategies for exploring novels, poems, and other literary creations.

In this study of the rhetoric of American writings on language, Michael Kramer argues that the prevalent critical distinction between imaginative and nonimaginative writing is of limited theoretical use. Breaking down the artificial, disciplinary barriers between two areas of scholarly inquiry--the literature of the American Renaissance and the study of language in the United States between the Revolution and the Civil War--Kramer finds in various walks of intellectual life a broad range of writers who "imagined language" for the new experiment in self-government. Each of these men combined ideas about language with ideas about America so as to form cultural fictions, or creative renderings of the nation--its meaning, its character, and how it worked. In order to reassess American linguistic and literary nationalism, Kramer allows Noah Webster, whose influential grammatical and lexicographic works have been considered only marginal to literary history, to share the stage with more conventionally literary figures--the neglected Longfellow and the canonical Whitman. Then an essay on The Federalist and the pragmatic language-related problems faced by the founding fathers introduces revisionary analyses of two New England writers who confronted American culture and society through their Romantic critiques of language: the minister and theologian Horace Bushnell and Nathaniel Hawthorne. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Travelers' Charleston is an innovative collection of firsthand narratives that document the history of the South Carolina lowcountry region, specifically that of Charleston, from 1666 until the start of the Civil War. Jennie Holton Fant has compiled and edited a rich and comprehensive history as seen through the eyes of writers from outside the South. She provides a selection of unique texts that include the travelogues, travel narratives, letters, and memoirs of a diverse array of travelers who described the region over time. Further, Fant has mined her material not only for validity but to identify any characters her travelers encounter or events they describe. She augments her resources with copious annotations and provides a wealth of information that enhances the significance of the texts. The Travelers' Charleston begins with explorer Joseph Woory's account of the Carolina coast four years before the founding of Charles Town, and it concludes as Anna Brackett, a Charleston schoolteacher from Boston, witnesses the start of the Civil War. The volume includes Josiah Quincy Jr.'s original 1773 journal; the previously unpublished letters of Samuel F. B. Morse, a portrait artist in Charleston between 1818 and 1820; the original letters of Scottish aristocrat and traveler Margaret Hunter Hall (1824); and a compilation of the letters of William Makepeace Thackeray written in Charleston during his famous lecture tours in the 1850s. Using these sources, combined with excepts from carefully chosen travel accounts, Fant provides an unusual and authoritative documentary record of Charleston and the lowcountry, which allows the reader to step back in time and observe a bygone society, culture, and politics to note key characters and hear them talk and to witness firsthand the history of one of the country's most distinctive regions.

Although North America and Australasia occupy opposite ends of the earth, they have never been that far from each other conceptually. The United States and Australia both began as British colonies and mutual entanglements continue today, when contemporary cultures of globalization have brought them more closely into juxtaposition. Taking this transpacific kinship as his focus, Paul Giles presents a sweeping study that spans two continents and over three hundred years of literary history to consider the impact of Australia and New Zealand on the formation of U.S. literature. Early American writers such as Benjamin Franklin, Thomas Jefferson, Joel Barlow and Charles Brockden Brown found the idea of antipodes to be a creative resource, but also an alarming reminder of Great Britain's increasing sway in the Pacific. The southern seas served as inspiration for narratives by Washington Irving, Edgar Allan Poe, and Herman Melville. For African Americans such as Harriet Jacobs, Australia represented a haven from slavery during the gold rush era, while for E.D.E.N. Southworth its convict legacy offered an alternative perspective on the British class system. In the 1890s, Henry Adams and Mark Twain both came to Australasia to address questions of imperial rivalry and aesthetic topsy-turvyness. The second half of this study considers how Australia's political unification through Federation in 1901 significantly altered its relationship to the United States. New modes of transport and communication drew American visitors, including novelist Jack London. At the same time, Americans associated Australia and New Zealand with various kinds of utopian social reform, particularly in relation to gender politics, a theme Giles explores in William Dean Howells, Charlotte Perkins Gilman, and Miles Franklin. He also considers how American modernism in New York was inflected by the Australasian perspectives of Lola Ridge and Christina Stead, and how Australian modernism was in turn shaped by American styles of iconoclasm. After World War II, Giles examines how the poetry of Karl Shapiro, Louis Simpson, Yusef Komunyakaa, and others was influenced by their direct experience of Australia. He then shifts to post-1945 fiction, where the focus extends from Irish-American cultural politics (Raymond Chandler, Thomas Keneally) to the paradoxes of exile (Shirley Hazzard, Peter Carey) and the structural inversions of postmodernism and posthumanism (Salman Rushdie, Donna Haraway). Ranging from figures like John Ledyard to John Ashbery, from Emily Dickinson to Patricia Piccinini and J. M. Coetzee, Antipodean America is a truly epic work of transnational literary history.