Salento by 5 is a collection of richly woven Italian stories, written by three local Italians and two American travelers. A friendship begins in the Rome airport, migrates to Salento, the southernmost Italian region of Puglia, blossoms over food and wine, and culminates in a narrative filled with nostalgic and personal recollections of Salento's unique history, culture, and people. Enjoy the book's watercolor sketches, the local recipes, and off-the-beaten path travel hints that only the Salento by 5 authors can provide. Whether you are an armchair traveler or looking for a new Italian adventure in a not so well known region, Salento by 5 has a little something for everyone.

Fiction. Tommaso has escaped discovery for thirty years but a young private investigator, Will, has tracked him down. Tommaso asks him to pretend never to have found him. To persuade Will, Tommaso recounts the story of his life and his great love. In the process, he comes to recognise his true role in the events which unfolded, and the legacy of unresolved grief. Now he's being presented with a second chance - but is he ready to pay the price it exacts? THAT SUMMER IN PUGLIA is a tale of love, loss, the perils of self-deception and the power of compassion. Puglia offers an ideal setting: its layers of history are integral to the story, itself an excavation of a man's past; Tommaso's increasingly vivid memories of its sensuous colours, aromas and tastes, and of how it felt to love and be loved, eventually transform the discomforting tone with which he at first tries to keep Will and painful truths at a distance. This remarkable debut combines a gripping plot and perceptive insights into human nature with delicate lyricism. Very beautiful, surprising and evocative.--Simonetta Agnello Hornby This is an enchanting slow burn of a novel; a notable debut. Vescina's voice is admirably clear, her descriptions lucid, and her characters are human to the core.--Rachel Seiffert THAT SUMMER IN PUGLIA is rich in insights into human emotions. It's the tale of the disastrous course even a great love can take if bitterness is allowed to prevail and chances of forgiveness are rejected, but also of the miracles it can work if profoundly experienced and expressed. Valeria Vescina's style has the fluidity of the great European novelists. Her characterisations are at once vivid and poetic, and the plot ever-surprising. Finally, here is the discovery through literature of Puglia, with its remarkable synthesis of Mediterranean history and cultures--and how appropriate, as this is, deep down, Greek tragedy.--Edoardo Winspeare

Located in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved ­­tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic practices that helped inhabitants construct and maintain personal, group, and regional identities. The Medieval Salento allows the reader to explore the visual and material culture of a people using a database of over three hundred texts and images, indexed by site. Linda Safran draws from art history, archaeology, anthropology, and ethnohistory to reconstruct medieval Salentine customs of naming, language, appearance, and status. She pays particular attention to Jewish and nonelite residents, whose lives in southern Italy have historically received little scholarly attention. This extraordinarily detailed visual analysis reveals how ethnic and religious identities can remain distinct even as they mingle to become a regional culture.

Illustrated throughout with original drawings by Luciana Marini, this will bethe standard reference on one of the world's favorite foods for many years tocome, engaging and delighting both general readers and food professionals.

From apple pie to baklava, cannoli to gulab jamun, sweet treats have universal appeal in countries around the world. This encyclopedia provides a comprehensive look at global dessert culture. Few things represent a culture as well as food. Because sweets are universal foods, they are the perfect basis for a comparative study of the intersection of history, geography, social class, religion, politics, and other key aspects of life. With that in mind, this encyclopedia surveys nearly 100 countries, examining their characteristic sweet treats from an anthropological perspective. It offers historical context on what sweets are popular where and why and emphasizes the cross-cultural insights those sweets present. The reference opens with an overview of general trends in desserts and sweet treats. Entries organized by country and region describe cultural attributes of local desserts, how and when sweets are enjoyed, and any ingredients that are iconic. Several popular desserts are discussed within each entry including information on their history, their importance, and regional/cultural variations on preparation. An appendix of recipes provides instructions on how to make many of the dishes, whether for school projects or general entertaining.

An important literary debut from the Vice President of Ghana, a fable-like memoir that offers a shimmering microcosm of post-colonial Africa. 'A much welcome work of immense relevance' Chinua Achebe My First Coup D'Etat chronicles the coming-of-age of John Dramani Mahama in Ghana during the dismal post-independence 'lost decades' of Africa. He was seven years old when rumours of a coup reached his boarding school in Accra. His father, a minister of state, was suddenly missing, then imprisoned for more than a year. My First Coup D'Etat offers a look at the country that has long been considered Africa's success story. This is a one-of-a-kind book: Mahama's is a rare literary voice from a political leader, and his stories work on many levels - as fables, as history, as cultural and political analysis, and, of course, as the memoir of a young man who, unbeknownst to him or anyone else, would grow up to be vice president of his nation. Though non-fiction, these are stories that rise above their specific settings and transport the reader - much like the fiction of Isaac Bashevis Singer and Nadine Gordimer - into a world all their own, one which straddles a time lost and explores the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.