First published in 1935, “The Adventures of Sajo and her Beaver People” is a children's adventure novel by British author Grey Owl. With beautiful illustrations also by Grey Owl, the story is based on the real-life experiences of a young Ojibwe Indian girl called Sajo and her older brother who adopt two baby beavers, Chilawee and Chikanee, in an attempt to save them from fur traders. An instant bestseller, it was translated into numerous European languages including Polish and Russian. Archibald Stansfeld Belaney (1888–1938), also known as Grey Owl, was a British fur trapper, conservationist, and writer. In life, he pretended to be a First Nations person, but it was later discovered that he was in fact not Indigenous—revelations that greatly tarnished his reputation. Other notable works by this author include: “The Men of the Last Frontier”, “Pilgrims of the Wild”, and “Tales of an Empty Cabin”. This classic work is being republished now in a new edition with specially curated introductory material.

This book is the make-believe story of two children and their love affair with two little beavers.

Unique in its coverage of contemporary American children's literature, this timely, single-volume reference covers the books our children are--or should be--reading now, from board books to young adult novels. Enriched with dozens of color illustrations and the voices of authors and illustrators themselves, it is a cornucopia of delight. 23 color, 153 b&w illustrations.

The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.

A symbol unique to Canada, the canoe is one of the greatest gifts of First Peoples to all those who came after.

In 1931 Grey Owl published his first book, The Men of the Last Frontier, a work that is part memoir, part history of the vanishing wilderness in Canada, and part compendium of animal and First Nations tales and lore. A passionate, compelling appeal for the protection and preservation of the natural environment pervades Grey Owls words and makes his literary debut still ring with great relevance in the 21st century. By the 1920s, Canadas outposts of adventure had been thrust farther and farther north to the remote margins of the country. Lumbermen, miners, and trappers invaded the primeval forests, seizing on natures wealth with soulless efficiency. Grey Owl himself fled before the assault as he witnessed his valleys polluted with sawmills, his hills dug up for hidden treasure, and wildlife, particularly his beloved beavers, exterminated for quick fortunes.