After the discovery of the ergotism epidemics (poisoning caused by ingesting the fungal toxin of rye) and its etiology, eighteenth-century physicians interpreted medieval chronicles in their medical texts in order to recognize the occurrences of ergotic diseases through retrospective diagnosis. They assumed that St. Anthony's fire and ignis sacer ("sacred fire") recorded in medieval texts represented the same disease, ergotism. This interpretative method, lacking a textual basis in the sources, has been incorrectly followed by historians till now. This book examines this historical prejudice through textual analysis, comparing diverse medieval and early modern sources. A striking semantic complexity emerges that changes the concept of St. Anthony's fire and modifies our understanding of diseases in general. This research illuminates aspects of the history of medicine, society, and hospitals.

This text is both a history of skin disease and a history of dermatology, telling the human historical experience of skin disease and how we have come to know what we know about the skin and its myriad diseases over the course of four millennia, looking at key figures in life and literature and key events such as the Black Death and the eradication of smallpox. *Examines how the history of skin disease fits into the larger picture of the history of each age *Provides dermatological insight into major events and personalities from history *Offers a unique perspective on the history of each age

Explores how preventative health practices shaped urban communities, social ties and living environments in the medieval Low Countries.

In this two-part anthology, Jan M. Ziolkowski builds on themes uncovered in his earlier The Juggler of Notre Dame and the Medievalizing of Modernity. Here he focuses particularly on the performing arts. Part one contextualises Our Lady’s Tumbler, a French poem of the late 1230s, by comparing it with episodes in the Bible and miracles in a wide variety of medieval European sources. It relates this material to analogues and folklore across the ages from, among others, Persian, Jewish and Hungarian cultures. Part two scrutinizes the reception and impact of the poem with reference to modern European and American literature, including works by the Nobel prize-winner Anatole France, professor-poet Katharine Lee Bates, philosopher-historian Henry Adams and poet W.H. Auden. This innovative collection of sources introduces readers to many previously untranslated texts, and invites them to explore the journey of Our Lady’s Tumbler across both sides of the Atlantic. Reading the Juggler of Notre Dame: Medieval Miracles and Modern Remakings will benefit scholars and students alike. The short introductions and numerous annotations shed light on unusual beliefs and practices of the past, making the readings accessible to anyone with an interest in the arts and an openness to the Middle Ages.

Juxtaposing and interlacing similarities and differences across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions, the collection highlights and nuances some of the recent critical advances in scholarship on death and disease.

Carolingian Medical Knowledge and Practice explores the practicality and applicability of the medical recipes recorded in early medieval manuscripts. It takes an original, dual approach to these overlooked and understudied texts by not only analysing their practical usability, but by also re-evaluating these writings in the light of osteological evidence. Could those individuals with access to the manuscripts have used them in the context of therapy? And would they have wanted to do so? In asking these questions, this book unpacks longstanding assumptions about the intended purposes of medical texts, offering a new perspective on the relationship between medical knowledge and practice.

In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.