Important advances have been achieved in vertical scar mammaplasty since the successful first edition of this book, which described the fundamentals of the technique. This new, completely revised and updated edition fully reflects the evolution in vertical scar mammaplasty during the past decade. Previously published procedures have been refined, and a variety of newer techniques are presented, including several breast reduction procedures using a short scar and techniques of mastopexy that pay specific attention to enhancement of breast projection and upper fullness. Extensive consideration is also given to the management of complications and suboptimal treatment outcomes. An impressive list of international authors have contributed to the book, each describing their own technique step by step in the manner of a manual. The surgical techniques are precisely depicted in high-quality illustrations, and readers will also have access to videos that will shorten the learning curve.

Alienated from his fellow zombies because of his dislike of having to kill humans and his enjoyment of Sinatra music, "R" meets a living girl who sharply contrasts with his cold and dreary world and whom he resolves to protect in spite of her delicious appearance.

Marking the first original publication by Todd Grimson in almost 20 years, the 13 stories compiled in this volume showcase the author’s fascinating fictional canvases, peopled by authentic and sympathetic characters with settings ranging from the Amazon to the Sahara and stops in between to 1970s East Village and pre-Castro Cuba. Whether it’s a Hollywood starlet who goes AWOL from her movie set in the wake of her husband's suicide and in disguise embarks anonymously on a hedonistic bender or an African American man seeking the answer behind the mysterious disappearance of his friend in the heart of Muslim North Africa, each individual within these stories is striving to break free, to make new meaning of their world, to find recognition or self-definition in an otherwise bleak and unsympathetic world. Fresh and bold and original in his voice and depiction of character, places, and events, Grimson’s range is extraordinary, his imagination is unsurpassable, and his empathy for his characters—whether killers, transvestites, prostitutes—are all deeply heartfelt.

By 2021, the Terminus War had driven mankind off-planet and entire species into extinction. Now only the rich can afford living creatures; others may buy amazingly realistic simulacrae: horses, cats, sheep ... Even humans. These artificial people are so advanced it's impossible to tell them from true men and women--except for their lack of empathy. Without empathy, androids can--and do--kill their owners and blend into society, so they're illegal on Earth. It's Rick Deckard's job to find these rogues and "retire" them. But "andys" tend to fight back--with deadly results.

Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.

Mikk of Vyzania, the galaxy's finest performance master, defies the government's ban on the performance of the Somalite songdance, risking his life to overthrow the stranglehold of censorship.

PULITZER PRIZE WINNER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott “From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland Elegies ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library Journal In Invisible Child, Pulitzer Prize winner Andrea Elliott follows eight dramatic years in the life of Dasani, a girl whose imagination is as soaring as the skyscrapers near her Brooklyn shelter. In this sweeping narrative, Elliott weaves the story of Dasani’s childhood with the history of her ancestors, tracing their passage from slavery to the Great Migration north. As Dasani comes of age, New York City’s homeless crisis has exploded, deepening the chasm between rich and poor. She must guide her siblings through a world riddled by hunger, violence, racism, drug addiction, and the threat of foster care. Out on the street, Dasani becomes a fierce fighter “to protect those who I love.” When she finally escapes city life to enroll in a boarding school, she faces an impossible question: What if leaving poverty means abandoning your family, and yourself? A work of luminous and riveting prose, Elliott’s Invisible Child reads like a page-turning novel. It is an astonishing story about the power of resilience, the importance of family and the cost of inequality—told through the crucible of one remarkable girl. Winner of the J. Anthony Lukas Book Prize • Finalist for the Bernstein Award and the PEN/John Kenneth Galbraith Award