Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.

Famous ancient stone monuments such as Stonehenge attract us because they surround sacred spaces filled with spiritual power. In Secrets of Sacred Space, Chuck Pettis reveals you can create similar sacred spaces of your own. You'll learn how to use the architecture of power to create earth and stone monuments that can help you find inner peace and renewal. Secrets of Sacred Space reveals how you can: ·Use geomancy, symbolism, numerology, and astronomical alignments to understand the ancient sacred sites and even design your own power places ·Easily perform dowsing with rods and pendulums to find water, ley lines, and earth energy lines to choose sacred sites and create your own sacred monuments ·Communicate with devas and other spiritual beings to discover a site's spiritual essence ·Design your sacred space in harmony with a site's spiritual essence ·Understand the powerful design cosmology of the Egyptian pyramids and other ancient monuments Sacred places of power move and enliven the soul. They take us to higher states of consciousness, inspire feelings of awe and wonder, and are places for retreat, self-renewal, and enlightenment. The making of the sacred space is as important, if not more important, than its use when complete. Building a sacred space — a cosmic monument — is a high form of meditation and the epitome of spiritual service. Discover the secrets of the earth and its special places when you read Secrets of Sacred Space.

Thirteen papers on different subjects, focussing on writings and inscriptions in medieval art, explore the faculty of writing to create and determine spaces and to generate the sacred by the display of holy scripture. The subjects range from book illumination over wall painting, mosaics, sculpture, and church interiors to inscriptions on portals and façades.

Jeanne Halgren Kilde's survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individual's perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kilde's important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, church buildings are, in Kilde's view, dynamic participants in religious change and goldmines of information on Christianity itself.

In a series of pioneering studies, this book examines the creation—and the conflict behind the creation—of sacred space in America. The essays in this volume visit places in America where economic, political, and social forces clash over the sacred and the profane, from wilderness areas in the American West to the Mall in Washington, D.C., and they investigate visions of America as sacred space at home and abroad. Here are the beginnings of a new American religious history—told as the story of the contested spaces it has inhabited. The contributors are David Chidester, Matthew Glass, Edward T. Linenthal, Colleen McDannell, Robert S. Michaelsen, Rowland A. Sherrill, and Bron Taylor.

Visionary singer Susan Hale believes that early peoples deliberately built their structures to enhance natural vibrations. She takes us around the globe-from Stonehenge and New Grange to Gothic cathedrals and Tibetan stupas in New Mexico-to explore the acoustics of sacred places. But, she says, you don't have to go to the Taj Mahal: The sacred is all around us, and we are all sound chambers resonating with the One Song.

Linda Greenlaw hadn't been blue-water fishing for ten years, since the great events chronicled in The Perfect Storm and The Hungry Ocean, when an old friend offered her the captaincy on his boat, Seahawk, for a season of swordfishing. She took the bait, of course, and thus opened a new chapter in a life that had already seen enough adventure for three lifetimes.The Seahawk turns out to be the rustiest of buckets, with sprung, busted, and ancient equipment guaranteed to fail at any critical moment. Life is never dull out on the Grand Banks, and no one is better at capturing the flavor and details of the wild ride that is swordfishing, from the technical complexities of longline fishing and the nuances of reading the weather and waves to the sheer beauty of the open water. The trip is full of surprises, "a bit hardier and saltier than I had hoped for," but none more unexpected than when the boat's lines inadvertently drift across the Canadian border and she lands in jail. Seaworthy is about nature -- human and other; about learning what you can control and what you do when fate takes matters out of your control. It's about how a middle-aged woman who sets a high bar for herself copes with challenge and change and frustration, about the struggle to succeed or fail on your own terms, and above all, about learning how to find your true self when you're caught between land and sea.