Through engaging narrative, rich photography, archival images and detailed maps, a versatile guide to Atlanta's oldest public cemetery is a great way to tour the cemetery's landscape of remembrance, as well as a unique way to explore Atlanta's history. Original.

From scallop shells and tree stumps to saints, angels, and the anchor and cross, Richard Waterhouse, a longtime Oakland docent and the creator of a popular Oakland symbolism tour, illuminates the symbolism and sacred meanings prevalent in the Victorian era monuments. Historic Oakland Cemetery, founded in 1850 by the City of Atlanta, is nationally cherished for the splendor of its monuments, the breadth of its landscape, and the richness of its history. One of the most beautiful examples in the United States of the rural garden cemetery movement, Oakland's park like expanse still provides an escape for visitor's seeking a return of the antebellum beauty of the South. The history of Atlanta and the cemetery intertwine entreatingly offering the reader the pleasant experience of meandering through the park while reading the book. Dinny Harper Addison's striking photographs carefully capture the elaborate intricacies of the symbols and stand themselves as meditations on the grandeur of Oakland.

The concept of credition represents an innovative research field at the interface of the natural sciences and the humanities addressing the nature of beliefs and believing. Credition signifies the integrative information processing that is brought about by neurophysiologically defined neural activity in the brain affording decision making. In analogy to cognition and emotion it is mediated by neural processes and constrains behavior by predictive coding. Three categories of beliefs have been defined on the background of evolutionary biology that can be differentiated linguistically. The goal of the collection of research papers is to provide an interdisciplinary discourse on an international level in the emerging field of credition. On this basis individual, group-specific and cultural narratives of secular and non-secular origin can become normative, in particular, when enhanced by ritual acts. Also, the recently defined belief categories can pave the way for novel approaches of empirical research on the formation of civilizations and cultures as well as for new perspectives on the psychopathological understanding of mental disorders. The disciplines of empirical research such as cognitive science, neurophysiology, neuropsychology, social neuroscience shall counteract with theoretical disciplines such as anthropology, philosophy, and theology in order to elaborate premises that are suited to bridge the scientific gap. The potential contributors will submit their abstracts such that they are available for the International meeting, Credition - An Interdisciplinary Challenge, that is going to take place in October 2021 in Hannover, Germany. Following the symposium, the participants shall elaborate their perspective concerning beliefs and believing, based on their expertise, and the information they have learned during the symposium. The authors are expected to submit a concise paper of 2000 words (C Type Article).

In recent years every major institution has had to adapt to the fast-evolving technologies of the digital age or risk being left behind. Amid a global crisis of faith and declining levels of religious participation in places around the world, the Catholic Church has likewise come face to face with the challenges and possibilities of new media. Sacred Cyberspaces reveals how long-standing conflicts over power, influence, and legitimacy within religious organizations are being waged in the digital realm. Oren Golan and Michele Martini describe the tensions that arise as religious groups seek to reach the faithful in online spaces where traditional clerical authorities have less expertise and control. Focusing on the Catholic world, they examine the rise of devotional digital entrepreneurship and the roles of lay religious webmasters: the video makers, app developers, and web designers who devote their lives to evangelization and who literally run the show. The book also explores the nature of religious experience as it pivots to online platforms: cyberculture, prayer, ceremonies, pilgrimage, proselytization, and the relation to the transcendental. From live-streaming at world-famous sites in the Holy Land to the Instagram feed of Pope Francis, Sacred Cyberspaces evaluates the contemporary media strategies of the Catholic Church and sheds light on the future of religion online.

Space sharing by groups is widespread in the United States, from commercial partnerships, to government and private sector joint use agreements, to the use of public facilities and commons. All space-sharing arrangements are similar in most respects, so what difference does it make when religious groups are involved?

Consists of reprints from various religious journals.

We all can name some of the Africanist aesthetic-structures that fuel African American and American art ... Syncopation, Improvisation, Call and Response, Cool, Polyrhythm, or Innovation as an ambition- But there are many, many more. What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti.