An aesthetic is a way of perceiving reality with a certain preference for order. A church is a particular product of a way of preferential perception of reality. The two "ways" may have nothing in common. In fact, the church might be built according to a preferential perception considered by very few to be aesthetic.What is a church? How does church architecture incorporate an aesthetic which makes a church both a work of architecture (and therefore, a work of art) and an authentic product of a Church's way of perceiving reality?How, indeed, can the cardinals and ordinals of religion and architecture intersect?These are the essential questions which underlie the search for an aesthetic for sacred space. This piece of research is an attempt to clarify the questions for a particular community, the twentieth-century Roman Catholic Church, but the questions have vast implications for all religious communities which must seek the cooperation of the sometimes-overlapping artistic community.

Joyce Ann Zimmerman’s The Ministry of Liturgical Environment has served as a reliable and inspiring resource for parish liturgy committees, liturgy directors, and clergy for more than a decade. It is an insightful and practical guide to preparing an inviting sacred space that reflects and enhances the community’s valued principles. Contemporary and complete, it considers the physical location of our worship, from assembly seating, color usage, and liturgical accouterments to ministers' and assembly’s dress. This fully revised edition includes new content, a new structure, and updates based on ecclesial documents published since the publication of the previous edition. Anyone involved in liturgical ministry will want to keep it close at hand.

Every Sunday we walk through those doors and enter a sacred space. It is familiar, maybe comforting--or maybe not. It might be downright uncomfortable and unwelcoming. What can we do about it? In twelve thoughtful and provocative essays, the writers ask important questions about the relationship between sacred spaces and the worship that takes place in them: -How do our buildings convey a vision of God's kingdom on earth? -How are our places of worship reflecting our beliefs? -In what visible, tangible forms are we proclaiming a faith in the living God? -How are our church buildings helping this church bring the Gospel into a new century?

This volume examines a diverse set of spaces and buildings seen through the lens of popular practice and belief to shed light on the complexities of sacred space in America. Contributors explore how dedication sermons document shifting understandings of the meetinghouse in early 19th-century Connecticut; the changes in evangelical church architecture during the same century and what that tells us about evangelical religious life; the impact of contemporary issues on Catholic church architecture; the impact of globalization on the construction of traditional sacred spaces; the urban practice of Jewish space; nature worship and Central Park in New York; the mezuzah and domestic sacred space; and, finally, the spiritual aspects of African American yard art.

This substantially expanded edition of Belden C. Lane's Landscapes of the Sacred includes a new introductory chapter that offers three new interpretive models for understanding American sacred space. Lane maintains his approach of interspersing shorter and more personal pieces among full-length essays that explore how Native American, early French and Spanish, Puritan New England, and Catholic Worker traditions has each expressed the connection between spirituality and place. A new section at the end of the book includes three chapters that address methodological issues in the study of spirituality, the symbol-making process of religious experience, and the tension between place and placelessness in Christian spirituality.