The American colonists who took up arms against the British fought in defense of the ''sacred cause of liberty.'' But it was not merely their cause but warfare itself that they believed was sacred. In Sacred Scripture, Sacred War, James P. Byrd shows that the Bible was a key text of the American Revolution.

Early Americans claimed that they looked to "the Bible alone" for authority, but the Bible was never, ever alone. Bible Culture and Authority in the Early United States is a wide-ranging exploration of the place of the Christian Bible in America in the decades after the Revolution. Attending to both theoretical concerns about the nature of scriptures and to the precise historical circumstances of a formative period in American history, Seth Perry argues that the Bible was not a "source" of authority in early America, as is often said, but rather a site of authority: a cultural space for editors, commentators, publishers, preachers, and readers to cultivate authoritative relationships. While paying careful attention to early national bibles as material objects, Perry shows that "the Bible" is both a text and a set of relationships sustained by a universe of cultural practices and assumptions. Moreover, he demonstrates that Bible culture underwent rapid and fundamental changes in the early nineteenth century as a result of developments in technology, politics, and religious life. At the heart of the book are typical Bible readers, otherwise unknown today, and better-known figures such as Zilpha Elaw, Joseph Smith, Denmark Vesey, and Ellen White, a group that includes men and women, enslaved and free, Baptists, Catholics, Episcopalians, Methodists, Mormons, Presbyterians, and Quakers. What they shared were practices of biblical citation in writing, speech, and the performance of their daily lives. While such citation contributed to the Bible's authority, it also meant that the meaning of the Bible constantly evolved as Americans applied it to new circumstances and identities.

Lamentations is a book that has never had a place of honor at the table of Christian spirituality. This is an unfortunate state of affairs because its challenging poetry has much to offer. This volume explores the how the biblical book of Lamentations may be engaged afresh so that it can function as Holy Scripture for the ekklesia. Four main chapters consider issues in hermeneutics, exegesis, the use of Lamentations in worship, and pastoral reflections. These chapters have been supplemented by seventeen reception history studies written by an international team of Jewish and Christian scholars. These studies introduce a wide range of interpretations and uses of the book of Lamentations from throughout the history of Judaism and Christianity. They include examinations of the use of Lamentations in Isaiah 40-55, the Targum, Rashi, and contemporary Jewish thought, the Patristic period, Calvin, Jewish and Christian worship, music, Rembrandt, and psychological and feminist interpretation. Appendices include new English translations of LXX Lamentations and Targum Lamentations.

The Bible is a religious masterpiece. Its authors cast a profound vision for the healing of humanity through the power of divine love, grace and forgiveness. But the Bible also contains "dark texts" that challenge our ethical imagination. How can one book teach us to love our enemies and also teach us to slaughter Canaanites? Why does a book that preaches the equality of all people -- male and female, slave and free, Greek and Jew -- also include laws that permit God's people to trade in slaves and to persecute those of a different faiths or ethnicities? In Sacred Word, Broken Word Kenton Sparks argues that the "dark side" of Scripture is not an illusion. Rather, these dark texts remind us that all human beings, including the biblical authors, stand in need of God's redemptive solution in Jesus Christ.

The first of its kind, this collection offers a constructive response to the question of holy war and Christian morality from an interdisciplinary perspective. By combining biblical, ethical, philosophical and theological insights, the contributors offer a composite image of divine redemption that promises to take the discussion to another level.

Noll examines the influence of various religious convictions on the movement for independence and, conversely, the effect of the Revolution on colonial church bodies and their understanding of Christian truth.

Now a major motion picture starring Rooney Mara An epic story of family, love, and unavoidable tragedy from the two-time Booker Prize finalist and author of Old God's Time Sebastian Barry's novels have been hugely admired by readers and critics, and in 2005 his novel A Long Long Way was shortlisted for the Man Booker Prize. In The Secret Scripture, Barry revisits County Sligo, Ireland, the setting for his previous three books, to tell the unforgettable story of Roseanne McNulty. Once one of the most beguiling women in Sligo, she is now a resident of Roscommon Regional Mental Hospital and nearing her hundredth year. Set against an Ireland besieged by conflict, The Secret Scripture is an engrossing tale of one woman's life, and a poignant story of the cruelties of civil war and corrupted power. The Secret Scripture is now a film starring Rooney Mara, Eric Bana, and Vanessa Redgrave.