Sacred Playgrounds explores the wisdom of camping ministry for Christian education and faith formation, examining its rich history and fundamental characteristics with compelling stories, groundbreaking research, and theological grounding. Christian summer camp is an integral part of the ecology of faith formation in North America, though it has received surprisingly little attention in the scholarly community until now. Camping ministry is often dismissed as simple fun and games or a brief spiritual high that does not last. However, camp experiences often serve as deeply relational and immersive faith experiences that have lasting impacts on participants. Five fundamental characteristics combine dynamically in the effective camp experience: participatory, faith-centered, safe space, relational, and unplugged from home. Together, they open the space for participants to consider new understandings of God, to have time for deep self-reflection, and to build intentional Christian community. These camp experiences are essential components in a larger ecology of faith formation, including the home and congregation. The insight and evidence presented in this book demonstrate that the contributions of camping ministry must be taken seriously among scholars, Christian educators, and ministry professionals.

Sacred Playgrounds explores the wisdom of camping ministry for Christian education and faith formation, examining its rich history and fundamental characteristics with compelling stories, groundbreaking research, and theological grounding. Christian summer camp is an integral part of the ecology of faith formation in North America, though it has received surprisingly little attention in the scholarly community until now. Camping ministry is often dismissed as simple fun and games or a brief spiritual high that does not last. However, camp experiences often serve as deeply relational and immersive faith experiences that have lasting impacts on participants. Five fundamental characteristics combine dynamically in the effective camp experience: participatory, faith-centered, safe space, relational, and unplugged from home. Together, they open the space for participants to consider new understandings of God, to have time for deep self-reflection, and to build intentional Christian community. These camp experiences are essential components in a larger ecology of faith formation, including the home and congregation. The insight and evidence presented in this book demonstrate that the contributions of camping ministry must be taken seriously among scholars, Christian educators, and ministry professionals.

In his final work, a visionary game designer reveals how a surprising range of play-based experiences can unlock our imagination and help us capture the power of fun and delight. Bernard De Koven (1941–2018) was a pioneering designer of games and theorist of fun. He studied games long before the field of game studies existed. For De Koven, games could not be reduced to artifacts and rules; they were about a sense of transcendent fun. This book, his last, is about the imagination: the imagination as a playground, a possibility space, and a gateway to wonder. The Infinite Playground extends a play-centered invitation to experience the power and delight unlocked by imagination. It offers a curriculum for playful learning. De Koven guides the readers through a series of observations and techniques, interspersed with games. He begins with the fundamentals of play, and proceeds through the private imagination, the shared imagination, and imagining the world—observing, “the things we imagine can become the world.” Along the way, he reminisces about playing ping-pong with basketball great Bill Russell; begins the instructions for a game called Reception Line with “Mill around”; and introduces blathering games—Blather, Group Blather, Singing Blather, and The Blather Chorale—that allow the player's consciousness to meander freely. Delivered during the last months of his life, The Infinite Playground has been painstakingly cowritten with Holly Gramazio, who worked together with coeditors Celia Pearce and Eric Zimmerman to complete the project as Bernie De Koven's illness made it impossible for him to continue writing. Other prominent game scholars and designers influenced by De Koven, including Katie Salen Tekinbaş, Jesper Juul, Frank Lantz, and members of Bernie's own family, contribute short interstitial essays.

How can we design places that fulfill urgent needs of the community, achieve environmental justice, and inspire long-term stewardship? By bringing community members to the table with designers to collectively create vibrant, important places in cities and neighborhoods. For decades, participatory design practices have helped enliven neighborhoods and promote cultural understanding. Yet, many designers still rely on the same techniques that were developed in the 1950s and 60s. These approaches offer predictability, but hold waning promise for addressing current and future design challenges. Design as Democracy is written to reinvigorate democratic design, providing inspiration, techniques, and case stories for a wide range of contexts. Edited by six leading practitioners and academics in the field of participatory design, with nearly 50 contributors from around the world, it offers fresh insights for creating meaningful dialogue between designers and communities and for transforming places with justice and democracy in mind.

A compelling history, a manifesto, and a manual for change.

A “marvelous” Mediterranean memoir of an expatriate father raising his children in Italy—from the author of Italian Neighbors (The Washington Post). Tim Parks offers another lively firsthand account of Italian society and culture—this time focusing on all the little things that turn an ordinary newborn infant into a true Italian. When British-born Tim Parks heard a mother at the beach in Pescara shout to her son, “Alberto, don’t sweat! No you can’t go in the sea till eleven, it’s still too cold, go and see your cousin in row three number fifty-two,” he was inspired to write about parenting in Italy—which he was doing himself at the time after adopting the country as his own. In this humorous memoir, Parks offers an enchanting portrait of Italian childhood that shifts from comedy to despair in the time it takes to sing a lullaby. The result is “a wry, thoughtful, and often hilarious book . . . a parable of how our children, no matter what, are other than ourselves” (The New Yorker). “Glimpses of Italy that are fond, critical, pithy and penetrating.” —The Atlanta Journal-Constitution