From the author of Hidden Gardens of Paris and The Streets of Paris comes a beautifully illustrated guide to the history of Paris through its renowned and beloved places of worship. When visiting the City of Light, the spirit of Paris can be felt everywhere. It holds a sacred history that goes beyond words, beyond religion, and its legendary places of worship are truly its crown jewels. Susan Cahill's Sacred Paris is a guide for seasoned Parisian visitors, novices, and armchair travelers to the historic religious sites of the city, from the well-known landmarks to the sacred spots off the beaten track, from the magnificent towers of Notre-Dame and the sweeping arches of the Grand Mosque to the serenity of Saint-Julien-le-Pauvre. This spiritual tour is interwoven with the artistic and cultural history of Paris, from the medieval Crusades through the Resistance of World War II. Stand in the basilica of Saint-Denis, where Joan of Arc prayed with her soldiers in the Hundred Years' War, and gaze at the murals of Saint-Sulpice painted by Eugene Delacroix, or visit the village of Auvers where Vincent van Gogh painted the lovely Gothic church of Notre Dame d’Auvers-sur-Oise. Organized by the major geographical sections of the city—Ile de la Cite; the Latin Quarter on the Left Bank; Montparnasse; Northern Paris on the Right Bank; the Marais—each chapter is accompanied by Marion Ranoux’s beautiful four-color photographs. Also included are lists of “Nearbys”: gardens, bistros, librairies, museums, and other points of interest to round out your visit.

In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacré-Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacré-Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.

Spanning the backs of choir stalls above the heads of the canons and their officials, large-scale tapestries of saints' lives functioned as both architectural elements and pictorial narratives in the late Middle Ages. In an extensively illustrated book that features sixteen color plates, Laura Weigert examines the role of these tapestries in ritual performances. She situates individual tapestries within their architectural and ceremonial settings, arguing that the tapestries contributed to a process of storytelling in which the clerical elite of late medieval cities legitimated and defended their position in the social sphere.Weigert focuses on three of the most spectacular and little-studied tapestry series preserved from the fifteenth and early sixteenth centuries: Lives of Saints Piat and Eleutherius (Notre-Dame, Tournai), Life of Saint Steven (Saint-Steven, Auxerre [now Musée du Moyen Age, Paris]), and Life of Saints Gervasius and Protasius (Saint-Julien, Le Mans). Each of these tapestries, measuring over forty meters in length, included elements that have traditionally been defined as either lay or clerical. On the prescribed days when the tapestries were displayed, the liturgical performance for which they were the setting sought to merge the history and patron saint of the local community with the universal history of the Christian church. Weigert combines a detailed analysis of the narrative structure of individual images with a discussion of the particular social circumstances in which they were produced and perceived. Weaving Sacred Stories is thereby significant not only to the history of medieval art but also to art history and cultural studies in general.

For centuries, the Feast of Fools has been condemned and occasionally celebrated as a disorderly, even transgressive Christian festival, in which reveling clergy elected a burlesque Lord of Misrule, presided over the divine office wearing animal masks or women's clothes, sang obscene songs, swung censers that gave off foul-smelling smoke, played dice at the altar, and otherwise parodied the liturgy of the church. Afterward, they would take to the streets, howling, issuing mock indulgences, hurling manure at bystanders, and staging scurrilous plays. The problem with this popular account—intriguing as it may be— is that it is wrong.In Sacred Folly, Max Harris rewrites the history of the Feast of Fools, showing that it developed in the late twelfth and early thirteenth centuries as an elaborate and orderly liturgy for the day of the Circumcision (1 January)—serving as a dignified alternative to rowdy secular New Year festivities. The intent of the feast was not mockery but thanksgiving for the incarnation of Christ. Prescribed role reversals, in which the lower clergy presided over divine office, recalled Mary's joyous affirmation that God "has put down the mighty from their seat and exalted the humble." The "fools" represented those chosen by God for their lowly status.The feast, never widespread, was largely confined to cathedrals and collegiate churches in northern France. In the fifteenth century, high-ranking clergy who relied on rumor rather than firsthand knowledge attacked and eventually suppressed the feast. Eighteenth- and nineteenth-century historians repeatedly misread records of the feast; their erroneous accounts formed a shaky foundation for subsequent understanding of the medieval ritual. By returning to the primary documents, Harris reconstructs a Feast of Fools that is all the more remarkable for being sanctified rather than sacrilegious.

Although the French Revolution is associated with efforts to dechristianize the French state and citizens, it actually had long-term religious--even Christian--origins, claims Dale Van Kley in this controversial new book. Looking back at the two and a half centuries that preceded the revolution, Van Kley explores the diverse, often warring religious strands that influenced political events up to the revolution. Van Kley draws on a wealth of primary sources to show that French royal absolutism was first a product and then a casualty of religious conflict. On the one hand, the religious civil wars of the sixteenth century between the Calvinist and Catholic internationals gave rise to Bourbon divine-right absolutism in the seventeenth century. On the other hand, Jansenist-related religious conflicts in the eighteenth century helped to "desacralize" the monarchy and along with it the French Catholic clergy, which was closely identified with Bourbon absolutism. The religious conflicts of the eighteenth century also made a more direct contribution to the revolution, for they left a legacy of protopolitical and ideological parties (such as the Patriot party, a successor to the Jansenist party), whose rhetoric affected the content of revolutionary as well as counterrevolutionary political culture. Even in its dechristianizing phase, says Van Kley, revolutionary political culture was considerably more indebted to varieties of French Catholicism than it realized.

This book investigates the reasons why the Catholic population of Paris increasingly tolerated the minority Protestant Huguenot population between 1685 and 1789.

Featuring 40 parks, squares and woodlands, posh and plain, both in Paris and surrounds, Cahill's illustrated guide will lead you off the beaten track to areas of Paris you might not otherwise encounter.