Sacred Music as Public Image for Holy Roman Emperor Ferdinand III

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III
Title Sacred Music as Public Image for Holy Roman Emperor Ferdinand III PDF eBook
Author Andrew H. Weaver
Publisher Routledge
Pages 348
Release 2016-04-08
Genre Music
ISBN 1317060288

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Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
Title A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries PDF eBook
Author
Publisher BRILL
Pages 653
Release 2020-09-25
Genre Music
ISBN 9004435034

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A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.

Music, Piety, and Political Power in 17th-Century Salzburg

Music, Piety, and Political Power in 17th-Century Salzburg
Title Music, Piety, and Political Power in 17th-Century Salzburg PDF eBook
Author Kimberly Beck Hieb
Publisher Taylor & Francis
Pages 165
Release 2024-08-20
Genre Music
ISBN 1040111203

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Music, Piety, and Political Power in 17th-Century Salzburg traces the role of sacred music in the service of politics at the archbishopric of Salzburg, one of many jurisdictions that made up the Holy Roman Empire in the second half of the 17th century. The author reveals that the use of music to present political, cultural, and religious meanings was not limited to cross-confessional communities, the Imperial capital of Vienna, or other early modern metropolitan centers such as Munich and Paris. Presenting music as a powerful cultural artifact that informs our understanding of the religious and political relationships shaping the history of central Europe, this study expands our understanding of the history of music, absolutism, and Catholicism in the 17th century and will be of interest to scholars working in those areas.

Music in the Baroque (Western Music in Context: A Norton History)

Music in the Baroque (Western Music in Context: A Norton History)
Title Music in the Baroque (Western Music in Context: A Norton History) PDF eBook
Author Wendy Heller
Publisher Western Music in Context: A No
Pages 344
Release 2014
Genre Music
ISBN

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Companion to Music in the baroque.

The Holy Roman Empire

The Holy Roman Empire
Title The Holy Roman Empire PDF eBook
Author James Bryce Bryce (Viscount)
Publisher
Pages 512
Release 1902
Genre Holy Roman Empire
ISBN

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Book Review Digest

Book Review Digest
Title Book Review Digest PDF eBook
Author
Publisher
Pages 2744
Release 1998
Genre Bibliography
ISBN

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Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Title Luxury Arts of the Renaissance PDF eBook
Author Marina Belozerskaya
Publisher Getty Publications
Pages 292
Release 2005-10-01
Genre Art
ISBN 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.