Sixty color and 15 bandw photographs utilize natural light and show Utah's prehistoric rock art images in the context of the surrounding canyons. The photos are presented with brief captions, and with the words of Ute, Paiute, Hopi, and Northwest Shoshone individuals who describe the what the art means to them personally. An introductory essay discusses the various artistic styles of native peopls of this region over a period of 8,000 years. N. Scott Momaday supplied the foreword. A lovely book. No index or references. 10x11" Annotation copyright by Book News, Inc., Portland, OR

In the wake of the Counter-Reformation, Cardinal Gabriele Paleotti, the archbishop of Bologna, wrote a remarkable treatise on art during a time when the Church feared rampant abuse in the arts. Paleotti's 'Discourse on Sacred and Profane Images' argues that art should address a broad audience and explains the painter's responsibility to his spectators.

Explains the role of images in Christain prayer

Revised Edition This is the story of the Sudarium of Oviedo, an ancient bloodstained cloth, believed to have covered the head of Jesus of Nazareth after his crucifixion. The author traces the known history of the linen and presents the up-to-date conclusions of EDICES. The investigative team that has been studying the cloth since 1989, discusses the cultural significance of the crucifixion and blood in the context of first-century Jerusalem. They demonstrate the significance of the famous passage of John 20:5-7, as analyzed by some of the most important Biblical scholars of the world. The book contains twenty pages of color photographs, many of which are from EDICES. These photographs explain visually the bloodstains and wrinkles found on the cloth, how the cloth was used, its comparison with the Shroud of Turin and the historical odyssey from Jerusalem to Spain.

Enter the, "window into heaven" by using sacred images and icons for centering prayer and focusing on the Divine.

In these studies Gary Vikan has opened new perspectives on the daily life and material culture of Late Antiquity - more specifically, on icons and relics, and on objects revealing of the world of pilgrimage, the early cult of saints, and marriage. He contextualizes these familiar categories of object in the patterns of belief and ritual extracted from contemporary texts and the objects themselves, in order to understand their meaning within the everyday lives of those by whom and for whom they were made. The studies give a nuanced delineation of the inherently ambiguous boundary between conventional religion and magic, noting repeatedly those instances wherein the two are invoked in the same breath (and by way of the same art object), toward the same end. From this historically constructed matrix of art, belief, and ritual, the author derives an anthropologically defined paradigm of charisma and pilgrimage (applied in one essay, as an intriguing parallel, to deconstructing the world of a contemporary secular "saint," Elvis Presley).

This title was first published in 2001: From Sacred Text to Internet addresses two key issues affecting the global spread of religion: first, the impact of new media on the ways in which religious traditions present their messages, and second, the global relocation of religions in novel geographical and social settings. The book offers extended studies of Buddhism, Christianity, Hinduism and a wide-ranging survey chapter that refers to the presence on the Internet of many of the world's most influential religions.