Shakespeare's essential greatness is clarified by placing his plays in the broad context of sacred art and showing his preoccupation with the quest for human perfection and the mystery of sanctification. In The Secret of Shakespeare, Martin Lings "says more to reveal the quintessence of Shakespeare's greatness than the most laborious exposition could ever do". -- Kathleen Raine

Revised and Expanded Edition of The Secret of Shakespeare Reveals the full scope of Shakespeare's plays as sacred visionary dramas, illuminating the bard's greatest works and the man behind them • Reveals how, through the use of esoteric symbol and form, Shakespeare's plays mirror the inner drama of the journey of all souls • Conveys a heightened understanding of the plays through examining the theatrical rendering of their texts Through his study of such plays as Hamlet, Othello, MacBeth, and King Lear, Lings supplies expert and inspiring guidance to the beautifully wrought words and worlds of William Shakespeare. Lings's particular genius lies in his ability to convey, as perhaps no one else has ever done, the theatrical renderings of these texts, leaving readers with deep and lasting impressions not only of these masterpieces of dramatic artistry, but of the extraordinary man behind them as well.

Shakespeare's plays, argues Lings, concern far more than the workings of the human psyche; they are sacred, visionary works that, through the use of esoteric symbol and form, mirror the passage the soul must make to reach its final sacred union with the divine.

This engaging book demonstrates Shakespeare’s abiding interest in the theatrical potential of the Christian resurrection from the dead. In fourteen of Shakespeare’s plays, characters who have been lost, sometimes for years, suddenly reappear seemingly returning from the dead. In the classical recognition scene, such moments are explained away in naturalistic terms a character was lost at sea but survived, or abducted and escaped, and so on. Shakespeare never invalidates such explanations, but in his manipulation of classical conventions he parallels these moments with the recognition scenes from the Gospels, repeatedly evoking Christ’s resurrection from the dead. Benson’s close study of the plays, as well as the classical and biblical sources that Shakespeare fuses into his recognition scenes, clearly elucidates the ways in which the playwright explored his abiding interest in the human desire to transcend death and to live reunited and reconciled with others. In his manipulation of resurrection imagery, Shakespeare conflates the material with the immaterial, the religious with the secular, and the sacred with the profane.

One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

Revolutionary new discoveries reveal the actual location where (according to coded information embedded in the poet's church) the great Bard himself has left physical evidence that promises to finally end the persistent controversy concerning his identity. What is hidden at Stratford could well be the greatest story Shakespeare ever wrote! Unlike anything you've ever read about him, 'Dee-Coding Shakespeare' is an exquisite cryptographic maze and includes over 20 gorgeous, full-page photographs of Holy Trinity Church, Stratford. The reader is taken on a breath-taking journey of discovery and invited to be part of history by solving the mystery themselves. Forty puzzles take just a couple of minutes each to work out and result in a stunning conclusion that will shake the halls of academia and bring new life to our appreciation of the most enduring literary genius the world has ever known. The Bard will never be the same ... to-morrow, and to-morrow, and to-morrow.

Upholds “a Disney vacation as a religious experience . . . [offers] insightful arguments relating to the nature of play as well as Nietzschean philosophy” (Reading Religion). Rituals mark significant moments in our lives—perhaps none more significant than moments of lightheartedness, joy, and play. Rituals of play are among the most sacred of any of the rites in which humanity may engage. Although we may fail to recognize them, they are always present in culture, providing a kind of psychological release for their participants, child and adult alike. Disneyland is an example of the kind of container necessary for the construction of rituals of play. This work explores the original Disney theme park in Anaheim as a temple cult. It challenges the disciplines of mythological studies, religious studies, film studies, and depth psychology to broaden traditional definitions of the kind of cultural apparatus that constitute temple culture and ritual. It does so by suggesting that Hollywood’s entertainment industry has developed a platform for mythic ritual. After setting the ritualized “stage,” this book turns to the practices in Disneyland proper, analyzing the patron’s traditions within the framework of the park and beyond. It explores Disneyland’s spectacles, through selected shows and parades, and concludes with an exploration of the park’s participation in ritual renewal. “There is much to commend in Koehler’s study . . . Surely, her work should encourage others to examine myth construction and sacred-secular rituals in popular culture.”—H-Celebration