Having won more than one recent poll as Britain’s best-loved building, the appeal of Durham Cathedral appears abiding, which begs the question whether an iconic sacred building can retain meaning and affective pertinence for contemporary, secular visitors. Using the example of Durham Cathedral, this book sets out to explore wherein the appeal of historic churches lies today and considers questions of how and why their preservation into a post-Christian era should be secured. By including feedback from visitors to the cathedral, and the author’s own very personal account of the cathedral in the form of an ekphrasis, this work seeks to privilege an interpretation of architecture that is based on the individual experience rather than on more conventional narratives of architecture history and cultural heritage policy. Recognising the implication of our choice of narrative on the perceived value of historic churches is crucial when deliberating their future role. This book puts forth a compelling case for historical sacred architecture, suggesting that its loss - through imperceptive conservation practices as much as through neglect or demolition - would diminish us all, secularists, atheists and agnostics included.

Having won more than one recent poll as Britain’s best-loved building, the appeal of Durham Cathedral appears abiding, which begs the question whether an iconic sacred building can retain meaning and affective pertinence for contemporary, secular visitors. Using the example of Durham Cathedral, this book sets out to explore wherein the appeal of historic churches lies today and considers questions of how and why their preservation into a post-Christian era should be secured. By including feedback from visitors to the cathedral, and the author’s own very personal account of the cathedral in the form of an ekphrasis, this work seeks to privilege an interpretation of architecture that is based on the individual experience rather than on more conventional narratives of architecture history and cultural heritage policy. Recognising the implication of our choice of narrative on the perceived value of historic churches is crucial when deliberating their future role. This book puts forth a compelling case for historical sacred architecture, suggesting that its loss - through imperceptive conservation practices as much as through neglect or demolition - would diminish us all, secularists, atheists and agnostics included.

Even in our secular age, the sacred continues to be a powerful cognitive space in the landscape of the imagination. I am a Roman Catholic and amongst those who struggle to exist both in the structured universe of the sacred, and the contemporary plurality of the city. The mystery of the incarnation provides a theological argument for the indwelling of the Spirit in creation through time. With the advent of secularism however, it is possible to conceive of a time outside the sacred. Tension within theology in academia, faith in politics, or religion in a pluralistic society, reveals a boundary between our beliefs and our public face which becomes a rigid barrier - distinct as the private and public. Conflicting temporal structures of the sacred and secular give definition to this divide. Architecture has historically placed itself as interlocutor, negotiating complex thresholds in order to engage meaning. Contemporary sacred architecture, however, has avoided confrontation with the public realm. Thick edges distinguish the realms of the sacred and the quotidian. This thesis engages the border between the sacred and the secular. An analysis of the temporal structures of contemporary sacred space and its civic environment opens up an exploration of one such border around St. Basil's Church in Toronto. The definition of a threshold at this edge challenges our contemporary divide by exploring potential transitions. Between the church and the street, architecture inhabits the edge, expanding and articulating connections. Methods are explored for constructing built forms which promote a transition between, and interaction of, sacred and secular temporalities. At this threshold, individual creativity provides metaphors for ontology. Crossing this threshold creates opportunities for overlap between the time of the sacred and the time of the secular. These transitions challenge how we imagine both the church and the city in contemporary architecture.

This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.

Jeanne Halgren Kilde's survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individual's perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kilde's important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, church buildings are, in Kilde's view, dynamic participants in religious change and goldmines of information on Christianity itself.

This volume examines a diverse set of spaces and buildings seen through the lens of popular practice and belief to shed light on the complexities of sacred space in America. Contributors explore how dedication sermons document shifting understandings of the meetinghouse in early 19th-century Connecticut; the changes in evangelical church architecture during the same century and what that tells us about evangelical religious life; the impact of contemporary issues on Catholic church architecture; the impact of globalization on the construction of traditional sacred spaces; the urban practice of Jewish space; nature worship and Central Park in New York; the mezuzah and domestic sacred space; and, finally, the spiritual aspects of African American yard art.

The loss or disaffiliation of young adults is a much-discussed topic in churches today. Many faith-formation programs focus on keeping the young, believing the youthful spirit will save the church. But do these programs have more to do with an obsession with youthfulness than with helping young people encounter the living God? Questioning the search for new or improved faith-formation programs, leading practical theologian Andrew Root offers an alternative take on the issue of youth drifting away from the church and articulates how faith can be formed in our secular age. He offers a theology of faith constructed from a rich cultural conversation, providing a deeper understanding of the phenomena of the "nones" and "moralistic therapeutic deism." Root helps readers understand why forming faith is so hard in our context and shows that what we have lost is not the ability to keep people connected to our churches but an imagination for how and where God could be present in their lives. He considers what faith is and what steps we can take to move into it, exploring a Pauline concept of faith as encounter with divine action.