Animals are worshipped in India in many ways: as deities—the elephant-god Ganesha and the monkey-god Hanuman; as avatars—like Vishnu’s fish, tortoise and boar forms; and as vahanas—the swan, bull, lion and tiger were all vehicles of major deities and are thus sacred by association. Some animals, like the snake, are worshipped out of fear. Birds such as the crow are associated with the abode of the dead, or the souls of ancestors, while the cow’s sanctity may derive from its economic value. There are also hero-animals, such as the vanaras, and animals which were totemic symbols of tribes that were assimilated into Vedic Hinduism. Sacred Animals of India draws on the ancient religious traditions of India—Hinduism, Buddhism and Jainism—to explore the customs and practices that engendered the veneration of animals in India. This book also examines the traditions that gave animals in India protection, and is a reminder of the role of animal species in the earth’s biodiversity.

Much of Native American spirituality has been forced into the preconceived molds of Western religions. This book unlocks the rich spiritual heritage of the Oglala Sioux. Black Elk, the legendary Lakota holy man and spiritual leader, chose Dr. Brown to create a literary record to preserve teachings of his people. Illustrations.

From the household cat to horses that can fly, a surprisingly wide range of animals feature in religions and mythologies all across the world. The same animal can take on different roles: the raven can be a symbol of evil, a harbinger of death, a wise messenger or a shape-changing trickster. In Norse mythology, Odin’s magical ravens perch on his shoulders and bring him news. This compendium draws upon religious texts and myths to explore the ways sacred traditions use animal images, themes and associations in rituals, ceremonies, texts, myths, literature and folklore across the world. Sections are organized by the main animal classifications such as mammals, birds, reptiles, fish, amphibians and insects. Each chapter covers one significant grouping (such as dogs, cats or horses), first describing an animal scientifically and then detailing the mythological attributes. Numerous examples cite texts or myths. A final section covers animal hybrids, animal monsters and mythical animals as well as stars, constellations and Zodiac symbols. An appendix describes basic details of the religions and mythologies covered. A glossary defines uncommon religious terms and explains scientific animal names.

The Author explores the realm of sacred animals represented in Paleolithic sculptures in Europe. He divides them into five clear types and analyzes their evolution in proto-historic and historic civilizations. The writing is abundantly illustrated with photographs and drawings. The narrative ranges from Paleolithic to historic eras, passing through protohistory as well.

From the household cat to horses that can fly, a surprisingly wide range of animals feature in religions and mythologies all across the world. The same animal can take on different roles: the raven can be a symbol of evil, a harbinger of death, a wise messenger or a shape-changing trickster. In Norse mythology, Odin's magical ravens perch on his shoulders and bring him news. This compendium draws upon religious texts and myths to explore the ways sacred traditions use animal images, themes and associations in rituals, ceremonies, texts, myths, literature and folklore across the world. Sections are organized by the main animal classifications such as mammals, birds, reptiles, fish, amphibians and insects. Each chapter covers one significant grouping (such as dogs, cats or horses), first describing an animal scientifically and then detailing the mythological attributes. Numerous examples cite texts or myths. A final section covers animal hybrids, animal monsters and mythical animals as well as stars, constellations and Zodiac symbols. An appendix describes basic details of the religions and mythologies covered. A glossary defines uncommon religious terms and explains scientific animal names.

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise, John Soderberg argues that animals are the key to understanding Clonmacnoise’s development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.

Discusses goddess images in statues, religious artifacts, and art from Asia, Europe, the Middle East, and other parts of the world