As the ranger's eyes searched, his hands deftly opened the Colt, dropped the one empty cartridge to the dirt, replaced it and snapped the chamber shut. He slipped the Colt into his tied-down holster, but loosely, knowing that he might suddenly require its use again. Some parts of hell even the devil didn't travel alone, he told himself. His gaze moved warily outward, through the raging swirl of white heat surrounding the town, out across the harsh Mexican badlands. After a moment he took the folded piece of paper from inside his riding duster and opened it as he kept an eye on the empty, dusty street. From between two adobe buildings, a skinny hound slunk out through the dust, picked up something from the dirt and raced away with it. "Dallas Fadden, you're marked off," the ranger murmured to himself under his breath. He looked at the list of names on the paper—thieves, rapists, arsonists, assassins, wanton murderers, degenerates all—the worst of the worst, his captain had proclaimed them. With a pencil stub that he pulled from under the brim of his pearl-gray sombrero, he drew a straight line through Fadden's name. On the ground at his feet, Fadden lay at the end of a long streak of bloody dirt where his trail of lawlessness had ended. A bullet hole gaped in the center of his back. The thumb of his right hand had been clipped off by the same single bullet before it bored through his heart. Seeing the bloody stub, Sam looked off in the direction the skinny hound had taken, and realized what had caused the animal to venture out before the smoke and dust had even settled. Sam folded the paper and put it away. *Preview of Ralph Cotton's Gunfight at Cold Devil at the end of this book.

Turnbaugh gave a dark chuckle. ‘‘You lawdogs and your badges,’’ he said, ‘‘you’re worse than priests with their crosses.’’ He shook his head. ‘‘I never could understand why a little ornament like that makes such a difference to yas.’’ ‘‘I don’t expect you would,’’ said Sam. He paused, took a breath and gave another glance at either end of the bar. Here goes, he said to himself, hoping he’d given Maria enough time to get into position near the empty window frame to back him up. But there was no time to wonder about it now. ‘‘I’m taking you to Fort Smith, Turnbaugh,’’ he said. Turnbaugh gave another dark chuckle. ‘‘Are you now?’’ he said in a cocky tone, as if it were all a joke. ‘‘Care to hear some numbers on how many twobit lawmen like you has tried that same thing?’’ ‘‘The numbers don’t matter,’’ said Sam, barely shaking his head. ‘‘You’re going with me. Don’t make me kill you.’’ *Preview of Ralph Cotton's Sabio's Redemption at the end of this book.

In this action-packed, fast-paced thriller, follow Detective Cassandra Maldonado as she hunts for a brutal killer loose on the streets of New York. Fierce and controversial, Detective Cassandra Maldonado played major hardball to join New York's most elite homicide squad. But she's never seen anything like the hauntingly brutal murder of FYSHBone, a rap superstar and media mogul. Cassandra's instincts tell her that Sabio Guzmán, Bone's risk-addicted celebrity lawyer, is keeping secrets worth killing for. With the Feds, the city's biggest loan shark, and a vicious music tycoon all out to silence Sabio for good, the heat Cassandra feels for him is destined to bring explosive bad news. Soon their careers and lives are on the line. They're left with everything to lose, nowhere to hide -- and one deadly last chance to uncover the truth. This unforgettable new tale from Daniel Serrano takes readers behind the badge, where getting justice isn't just about who you trust. It's about what you do to survive . . .

The Poetics of Novels deals with the fundamentals of novel-writing and the execution of such, and though it engages specific notions of literary and cultural theory, it privileges the architectonics of the texts themselves as it crosses boundaries of both time and culture. Novels include: Austen's Northanger Abbey , Beckett's Company , Brontë's Wuthering Heights , Cervantes' Don Quixote , Flaubert's Madame Bovary , Hamsun's Hunger , Hardy's Tess of the D'Urbervilles , Lispector's Hour of the Star and Smart's By Grand Central Station I Sat Down and Wept .

This critical edition prepared for both performers and scholars presents a full modern transcription with the 13th century mensural notation in the original note and ligature shapes included above the stave.

The Widow For the past eight years the folks of Little Aces, New Mexico, have known Emma Vertrees as the wife of their now recently murdered sheriff. But Emma has more in common with the wrong side of the law than her neighbors could possibly imagine. The Fugitive A member of the notorious Hole-in-the-wall Gang, Memphis Warren Beck is on the run from railroad detectives. When fate reunites him with a woman he never expected to see again, Beck risks his freedom—and his life—for a second chance with her. The Lawman Arizona Ranger Sam Burrack is passing through what he thinks is a peaceful town. But the secrets and lies that have caught up to Emma and Beck bring violence in their wake, leaving only Burrack to dispense justice. *Preview of Ralph Cotton's Sabio's Redemption and Justice at the end of this book.

For decades, modern seekers have experimented and studied with many diverse teachers and religions, but Stuart Wilde says in that toward the end of a long spiritual journey we all seek the same thing: redemption. None of us is perfect, and yet through embracing that imperfection and reconciling it, we become a complete being - encompassing both the light and the dark. As Stuart says: ''Many mystics, holy people, and even the Hopi Indians have predicted a new age of enlightenment, and they are not wrong in my view. It has arrived, and with it has come a whole host of fascinating phenomena never seen before. We are stepping into a magical new era . . . the age of forgiveness.'' It is when the ivory tower of the ego's ideas falls that we can then embrace a new humility, allowing us to become ever more genuine, compassionate, and real. In this fascinating book, Stuart makes the point that the process of redemption and forgiveness comes from incorporating the Three Graces in one's heart: tenderness, generosity, and respect.