Wedlocked "I hate you Greg Prescott…I just hate you." Five years ago, Greg had deceived Abbie, and now fate had delivered even crueler blows. Abbie's sister and brother-in-law had been tragically killed, and Abbie found herself in America, as the joint guardian of her beloved twin nieces…a guardianship she shared with Greg. He wouldn't hear of her taking the little girls back to England. But if she wanted to stay with them she was faced with a cruel alternative—a loveless marriage to Greg, who made it quite plain that he expected to share her bed….

How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.

This volume, the fourth of five planned in Joseph Frank's widely acclaimed biography of Dostoevsky, covers the six most remarkably productive years in the novelist's entire career. It was in this short span of time that Dostoevsky produced three of his greatest novels--Crime and Punishment, The Idiot, and The Devils--and two of his best novellas, The Gambler and The Eternal Husband. All these masterpieces were written in the midst of harrowing practical and economic circumstances, as Dostoevsky moved from place to place, frequently giving way to his passion for roulette. Having remarried and fled from Russia to escape importuning creditors and grasping dependents, he could not return for fear of being thrown into debtor's prison. He and his young bride, who twice made him a father, lived obscurely and penuriously in Switzerland, Germany, and Italy, as he toiled away at his writing, their only source of income. All the while, he worried that his recurrent epileptic attacks were impairing his literary capacities. His enforced exile intensified not only his love for his native land but also his abhorrence of the doctrines of Russian Nihilism--which he saw as an alien European importation infecting the Russian psyche. Two novels of this period were thus an attempt to conjure this looming spectre of moral-social disintegration, while The Idiot offered an image of Dostoevsky's conception of the Russian Christian ideal that he hoped would take its place.

From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthday The Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death. Biggie released his first record, Ready to Die, in 1994, when he was only 22. Less than three years later, he was killed just days before the planned release of his second record Life After Death. Journalist Justin Tinsley’s It Was All a Dream is a fresh, insightful telling of the life beyond the legend. It is based on extensive interviews with those who knew and loved Biggie, including neighbors, friends, DJs, party promoters, and journalists. And it places Biggie’s life in context, both within the history of rap but also the wider cultural and political forces that shaped him, including Caribbean immigration, the Reagan era disinvestment in public education, street life, the war on drugs, mass incarceration, and the booming, creative, and influential 1990s music industry. This is the story of where Biggie came from, the forces that shaped him, and the legacy he has left behind.

For decades no law enforcement program has been as cloaked in controversy and mystery as the Federal Witness Protection Program. Now, for the first time, Gerald Shur, the man credited with the creation of WITSEC, teams with acclaimed investigative journalist Pete Earley to tell the inside story of turncoats, crime-fighters, killers, and ordinary human beings caught up in a life-and-death game of deception in the name of justice. WITSEC Inside the Federal Witness Protection Program When the government was losing the war on organized crime in the early 1960s, Gerald Shur, a young attorney in the Justice Department’s Organized Crime and Racketeering Section, urged the department to entice mobsters into breaking their code of silence with promises of protection and relocation. But as high-ranking mob figures came into the program, Shur discovered that keeping his witnesses alive in the face of death threats involved more than eradicating old identities and creating new ones. It also meant cutting off families from their pasts and giving new identities to wives and children, as well as to mob girlfriends and mistresses. It meant getting late-night phone calls from protected witnesses unable to cope with their new lives. It meant arranging funerals, providing financial support, and in one instance even helping a mobster’s wife get breast implants. And all too often it meant odds that a protected witness would return to what he knew best–crime. In this book Shur gives a you-are-there account of infamous witnesses, from Joseph Valachi to “Sammy the Bull” Gravano to “Fat Vinnie” Teresa, of the lengths the program goes to to keep its charges safe, and of cases that went very wrong and occasionally even protected those who went on to kill again. He describes the agony endured by innocent people who found themselves in the wrong place at the wrong time and ended up in a program tailored to criminals. And along with Shur’s war stories, WITSEC draws on the haunting words of one mob wife, who vividly describes her life of lies, secrecy, and loss inside the program. A powerful true story of the inner workings of one of the most effective and controversial weapons in the war against organized crime and the inner workings of organized crime itself–and more recently against Colombian drug dealers, outlaw motorcycle gang members, white-collar con men, and international terrorists–this book takes us into a tense, dangerous twilight world carefully hidden in plain sight: where the family living next door might not be who they say they are. . .

When they took my life, I thought I had nothing left to lose. I was a fool. The Ouroboros Project was my last chance at salvation, but the new, virtual reality was just as bad as the world I’d left. Backroom deals with corrupt nobles, slavery, and murder were all swept under the rug in the pursuit of gold. Despite everything, I found mercenary life fulfilling, until my guild was attacked. Now, I've got unknown, extremely rich enemies on all sides, a mysterious woman with strange magic and compound eyes, and a guild to save. They brought their war to my home. It’s only fair I return the favor. The Trinity of the Hive is a complete collection of the a dark fantasy series by Grayson Sinclair, featuring a dystopian real world and a gritty, bleak and immersive VR world. Disclaimer: Not for the faint of heart or those with weak constitutions (roll a saving throw). Doesn't contain a harem.

Rock and roll started as a devil's dance and a shout of ecstasy, and ever since it has carved its path between those who want to control it and those who want to push it to the edge - or over the edge. A blend of profile, criticism, investigative reporting, and history, Moguls and Madmen is a compelling look at today's often explosive, at times out-of-control, music industry. It's a collection of stories from the culture's shadow world - tales of guns and gangs, sex and drugs, greed and lawsuits - told through the eyes of both the moguls seeking power and money and the artists seeking fame and fortune.