"Russian Lyrics and Cossack Songs" by Martha Gilbert Dickinson indeed offers a captivating exploration of the poetic and musical traditions of Russia. Through this collection, readers can undoubtedly immerse themselves in the diverse themes, emotions, and cultural richness conveyed through Russian lyrics and the spirited tunes of Cossack songs. Dickinson's compilation provides an affirmative gateway to the vibrant soul of Russian artistic expression, fostering an enriching experience for those eager to delve into the country's lyrical and musical heritage.

Propp's essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study, newly translated by Roberta Reeder, Propp considers the Russian folk lyric in the social and historical context in which it was produced. Reeder supplements Propp's theoretical presentation with a comprehensive anthology of examples. Some songs were imitated by or appear in the works of Russia's major writers, such as Pushkin and Nekrasov. Here we find the customs of Russian peasant life expressed through the ritual of song. Whether the songs are about love, labor, or children's games; whether they are sad, humorous, or satiric in tone, Russian folk lyrics are rich in metaphor and symbolic meaning. In addition to the editor's notes to the text and songs, Reeder supplies a bibliography of Propp's sources as well as an extensive selected bibliography.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

An extensive introduction provides basic information about Russian epics, their historical background, their poetics, the history of their collection, their performance context, and their main interpretations. In addition, their is a short introduction to each song, explaining its plot, allusions, and interpretations. A glossary of common terms and a selected bibliography of studies about the Russian epic in English and Russian are also included in the volume.

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