Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles, to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twenty-first-century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds.

The book presents a broad interdisciplinary perspective on the contemporary Russian immigration to three countries: the United States, Germany, and Israel. The changes and transformations in three domains, i.e., cultural perception, self-identification, and attitudes to first language maintenance, are explored through the Acculturation Framework that allows bringing together these essential aspects of immigration. A separate look at Jewish and Russian ethnic groups within the so-called "Russian" immigration as well as its interdisciplinary nature sets this book apart from other studies on recent immigration from the former USSR.

In the wake of the USSR's collapse, more than 25 million Russians found themselves living outside Russian territory, their status ambiguous. Equally uncertain is the role they will play as a factor in Russian politics, local politics and relations among the newly independent states of the former Soviet Union. This volume, prepared under the sponsorship of the Kennan Institute, offers a comprehensive and amply documented examination of these issues.

In the wake of the Russian Revolution and the ensuing civil war, approximately one-and-a-half million Russians fled their country. Many settled in Prague, where they were welcomed and supported by the newly formed Czechoslovak Republic. This book presents the first full account of Prague's Russian emigre community from 1918 to 1938, when the Nazi invasion scattered the inhabitants yet again. Russia Abroad examines the life of this vibrant community, its activity, achievement, and importance. Catherine Andreyev and Ivan Savicky explore the reasons that Czechoslovakia embraced the Russian immigrants, the evolution of the Russian community, and why the original idea of supporting Russian emigres and creating an academic centre of progressive Russians had to be modified in the light of national and international politics. The story they tell not only illuminates aspects of Russian life and culture of the period but also offers insights into later diasporas in the twentieth and twenty-first centuries.

Includes statistics.

This alphabetically-arranged dictionary provides concise biographies of Russian emigres from the former Russian Empire that occurred after the revolutions and Civil War of 1917-21. Presenting a selection of the most well-known and influential members of the Russian diaspora, each entry describes the places and dates of their birth (and death, when known), their reasons for emigrating, a brief personal and political history, and their achievements and publications. Annotation copyrighted by Book News Inc., Portland, OR

Over the century that has passed since the start of the massive post-revolutionary exodus, Russian literature has thrived in multiple locations around the globe. What happens to cultural vocabularies, politics of identity, literary canon and language when writers transcend the metropolitan and national boundaries and begin to negotiate new experience gained in the process of migration? Redefining Russian Literary Diaspora, 1920-2020 sets a new agenda for the study of Russian diaspora writing, countering its conventional reception as a subsidiary branch of national literature and reorienting the field from an excessive emphasis on the homeland and origins to an analysis of transnational circulations that shape extraterritorial cultural practices. Integrating a variety of conceptual perspectives, ranging from diaspora and postcolonial studies to the theories of translation and self-translation, World Literature and evolutionary literary criticism, the contributors argue for a distinct nature of diasporic literary expression predicated on hybridity, ambivalence and a sense of multiple belonging. As the complementary case studies demonstrate, diaspora narratives consistently recode historical memory, contest the mainstream discourses of Russianness, rewrite received cultural tropes and explore topics that have remained marginal or taboo in the homeland. These diverse discussions are framed by a focused examination of diaspora as a methodological perspective and its relevance for the modern human condition.