For more than 30 years Danzig Baldayev was a prison warder in Kresty prison in St Petersburg. He collected more than 3000 images of Russian criminals' tattoos. These form the backbone to this encyclopedia that explores one of the world's more unusual art forms.

This book features over 180 photographs and accompanying texts of Russian criminal tattoos from the Arkady Bronnikov collection. From the mid-1960s to the late- 1980s Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, part of his duties involved visiting correctional institutions of the Ural and Siberia regions. It was here that he interviewed, gathered information and took photographs of convicts and their tattoos, building one of the most comprehensive archives of this phenomenon. He regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistry, these vernacular photographs present a guileless representation of criminal society. Every image discloses evidence of an inmate's character: aggressive, vulnerable, melancholic, conceited. Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.

For centuries, Russian prison inmates forcibly initiated newcomers with tattoos. Gradually, prisoners developed a secret form of communication with their tattoos, allowing them to establish rank among the other inmates and maintain a clandestine hierarchy. This book explores the grisly reality of Russian prisons and the people who inhabit them. Over 190 black and white and color photographs expose the different tattoos and their meanings, ranging from churches, crosses, Christs, Madonnas, military symbols, cats, dolphins, bears, hawks, and other startling images. Documentary filmmaker Alix Lambert traveled around modern Russia to film these sinister environments, collected stories to identify the dying art of tattooing in Russian prisons, and detailed the lives of the heavily marked inmates, past and present. This fascinating, spine-tingling book provides an entirely new outlook on tattoos and what they can represent!

Tattoo drawings and prison portraits from Fuel's fabled archive of Russian criminal subculture This volume presents highlights from Fuel's singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink-on-paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualized with insights from Mark Vincent, an author and academic specializing in the Soviet Gulag, and Alison Nordström, a photography scholar, writer and curator. The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality, almost like skin. Sergei Vasiliev's photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion. Arkady Bronnikov's collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley lineup of assorted body parts. Russian Criminal Tattoo Archiveis the only publication of primary material on this subject, highlighting the pioneering methods these three individuals used to document this unique phenomenon.

Drawings from the Gulag consists of 130 drawings by Danzig Baldaev describing the history, horror and peculiarities of the Gulag system from its inception in 1918. Baldaev's father, a respected ethnographer, taught him techniques to record the tattoos of criminals in St Petersburg's notorious Kresty prison, where he worked as a guard. He was reported to the KGB who unexpectedly supported his work, allowing him the opportunity to travel across the former USSR.Witnessing scenes of everyday life in the Gulag, he chronicled this previously closed world from both sides of the wire. With every vignette, Baldaev brings the characters he depicts to vivid life: from the lowest zek (inmate) to the most violent tattooed vor (thief), all the practices and inhabitants of the Gulag system are depicted here in incredible, and often shocking, detail. In documenting the attitude of the authorities to those imprisoned, and the transformation of those citizens into survivors or victims of the Gulag system, this 'graphic novel' vividly depicts methods of torture and mass murder undertaken by the administration, as well as the atrocities committed by criminals on their fellow inmates.

The first English-language book to document the men who emerged from the gulags to become Russia's much-feared crime class: the vory v zakone Mark Galeotti is the go-to expert on organized crime in Russia, consulted by governments and police around the world. Now, Western readers can explore the fascinating history of the vory v zakone, a group that has survived and thrived amid the changes brought on by Stalinism, the Cold War, the Afghan War, and the end of the Soviet experiment. The vory--as the Russian mafia is also known--was born early in the twentieth century, largely in the Gulags and criminal camps, where they developed their unique culture. Identified by their signature tattoos, members abided by the thieves' code, a strict system that forbade all paid employment and cooperation with law enforcement and the state. Based on two decades of on-the-ground research, Galeotti's captivating study details the vory's journey to power from their early days to their adaptation to modern-day Russia's free-wheeling oligarchy and global opportunities beyond.

"Soviets features previously unpublished drawings from the archive of Danzig Baldaev, alongside classic propaganda photographs made by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk."--From the publisher's web site.