For more than 30 years Danzig Baldayev was a prison warder in Kresty prison in St Petersburg. He collected more than 3000 images of Russian criminals' tattoos. These form the backbone to this encyclopedia that explores one of the world's more unusual art forms.

This book features over 180 photographs and accompanying texts of Russian criminal tattoos from the Arkady Bronnikov collection. From the mid-1960s to the late- 1980s Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, part of his duties involved visiting correctional institutions of the Ural and Siberia regions. It was here that he interviewed, gathered information and took photographs of convicts and their tattoos, building one of the most comprehensive archives of this phenomenon. He regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistry, these vernacular photographs present a guileless representation of criminal society. Every image discloses evidence of an inmate's character: aggressive, vulnerable, melancholic, conceited. Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.

For centuries, Russian prison inmates forcibly initiated newcomers with tattoos. Gradually, prisoners developed a secret form of communication with their tattoos, allowing them to establish rank among the other inmates and maintain a clandestine hierarchy. This book explores the grisly reality of Russian prisons and the people who inhabit them. Over 190 black and white and color photographs expose the different tattoos and their meanings, ranging from churches, crosses, Christs, Madonnas, military symbols, cats, dolphins, bears, hawks, and other startling images. Documentary filmmaker Alix Lambert traveled around modern Russia to film these sinister environments, collected stories to identify the dying art of tattooing in Russian prisons, and detailed the lives of the heavily marked inmates, past and present. This fascinating, spine-tingling book provides an entirely new outlook on tattoos and what they can represent!

Unlock the inner workings of the Russian mafia with this detailed guide to its infamous prison tattoos. Join former police officer turned journalist Mark Bullen as he presents a history of Russian-speaking organized crime gangs, their operations, and a complex culture of tattoo art. Included are more than 100 never-before-seen photos of tattoos from Russian and European police archives and 50 original tattoo drawings alongside an in-depth symbology covering everything from nationalist themes to punishment tattoos to female prison tattoos. Based on a law enforcement training program used around the world, this is the guide to understanding everything you could ever want to know about one of the world's most notorious criminal organizations through their notorious tattoo culture.

Drawings from the Gulag consists of 130 drawings by Danzig Baldaev describing the history, horror and peculiarities of the Gulag system from its inception in 1918. Baldaev's father, a respected ethnographer, taught him techniques to record the tattoos of criminals in St Petersburg's notorious Kresty prison, where he worked as a guard. He was reported to the KGB who unexpectedly supported his work, allowing him the opportunity to travel across the former USSR.Witnessing scenes of everyday life in the Gulag, he chronicled this previously closed world from both sides of the wire. With every vignette, Baldaev brings the characters he depicts to vivid life: from the lowest zek (inmate) to the most violent tattooed vor (thief), all the practices and inhabitants of the Gulag system are depicted here in incredible, and often shocking, detail. In documenting the attitude of the authorities to those imprisoned, and the transformation of those citizens into survivors or victims of the Gulag system, this 'graphic novel' vividly depicts methods of torture and mass murder undertaken by the administration, as well as the atrocities committed by criminals on their fellow inmates.

Tattoo drawings and prison portraits from Fuel's fabled archive of Russian criminal subculture This volume presents highlights from Fuel's singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink-on-paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualized with insights from Mark Vincent, an author and academic specializing in the Soviet Gulag, and Alison Nordström, a photography scholar, writer and curator. The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality, almost like skin. Sergei Vasiliev's photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion. Arkady Bronnikov's collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley lineup of assorted body parts. Russian Criminal Tattoo Archiveis the only publication of primary material on this subject, highlighting the pioneering methods these three individuals used to document this unique phenomenon.

Finalist for the William Saroyan International Prize for Writing From the bestselling author of A Mountain of Crumbs, a “brilliant and illuminating” (BookPage) portrait of mothers and daughters that reaches from Cold War Russia to modern-day New Jersey to show how the ties that hold you back can also teach you how to start over. Elena Gorokhova moves to the US in her twenties to join her American husband and to break away from her mother, a mirror image of her Soviet Motherland: overbearing, protective, and difficult to leave. Before the birth of Elena’s daughter, her mother comes to help care for the baby and stays for twenty-four years, ordering everyone to eat soup and wear a hat, just as she did in Leningrad. Russian Tattoo is the story of a unique balancing act and a family struggle: three generations of strong women with very different cultural values, all living under the same roof and battling for control. As Elena strives to bridge the gap between the cultures of her past and present and find her place in a new world, she comes to love the fierce resilience of her Soviet mother when she recognizes it in her American daughter. “Gorokhova writes about her life with a novelist’s gift,” says The New York Times, and her second memoir is filled with empathy, insight, and humor.