This is a unique attempt to visualise space exploration¹s future through the eyes of Russian space engineers and to describe that nation¹s plans in space. Based on actual documents, rather than on guesswork, it is the first comprehensive illustrated book dedicated to the Russian vision for the future of manned spaceflight from the dawn of manned spaceflight until today. Lavishly illustrated with images of unparalleled artistic quality and technical accuracy, the book: puts the development of the Russian manned spacecraft into political and historical context; uniquely describes the future of space exploration through the eyes of Russian space engineers and planners; introduces hitherto unrevealed systems developed for the Russian space program; describes past events and future plans in the historical context of the fall and rise of the Russian space program.

This book represents a fresh contribution to the contemporary academic debate regarding the determinants of current Russian foreign policy assertiveness. More precisely, it addresses the ways in which perceived security threats have been used by Russia to legitimize its interventions in the former Soviet Space. It is argued here that the security dimension has been successfully used by the Kremlin for the domestic justification of its aggressive actions in neighbouring countries, and that the narrative of the ‘besieged fortress’ was applied to both the war in Georgia and the intervention in Ukraine. Bringing together a number of authors from Russia, Ukraine, Georgia, Armenia, Moldova, Romania, Germany and the UK, the volume presents both local, regional and Western European perspectives on the various events analysed here. It will appeal to a wide range of students and professors specialized in Russia and the former Soviet space in the fields of international relations, international law, foreign policy analysis and security studies, as well as to think tanks and policy makers.

The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement. The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the country's emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish anything it set its mind to. Into the Cosmos shows us the fascinating interplay of Soviet politics, science, and culture during the Khrushchev era, and how the space program became a binding force between these elements. The chapters examine the ill-fitted use of cosmonauts as propaganda props, the manipulation of gender politics after Valentina Tereshkova's flight, and the use of public interest in cosmology as a tool for promoting atheism. Other chapters explore the dichotomy of promoting the space program while maintaining extreme secrecy over its operations, space animals as media darlings, the history of Russian space culture, and the popularity of space-themed memorabilia that celebrated Soviet achievement and planted the seeds of consumerism.

With a focus on China, the United States, and India, this book examines the economic ambitions of the second space race. The authors argue that space ambitions are informed by a combination of factors, including available resources, capability, elite preferences, and talent pool. The authors demonstrate how these influences affect the development of national space programs as well as policy and law.

Much has been written in the West on the history of the Soviet space program, but few Westerners have read direct first-hand accounts of the men and women who were behind the many Russian accomplishments in exploring space. The memoir of academician Boris Chertok, translated from the original Russian, fills that gap. Chertok began his career as an electrician in 1930 at an aviation factory near Moscow. Thirty years later, he was deputy to the founding figure of the Soviet space program, the mysterious "Chief Designer" Sergey Korolev. Chertok's 60-year-long career and the many successes and failures of the Soviet space program constitute the core of his memoirs, Rockets and People. In these writings, spread over four volumes (volumes two through four are forthcoming), academician Chertok not only describes and remembers, but also elicits and extracts profound insights from an epic story about a society's quest to explore the cosmos. This book was edited by Asif Siddiqi, a historian of Russian space exploration, and General Tom Stafford contributed a foreword touching upon his significant work with the Russians on the Apollo-Soyuz Test Project. Overall, this book is an engaging read while also contributing much new material to the literature about the Soviet space program.

This, fifty years after Sputnik, is the definitive book on the Russian space program. The author covers all the key elements of the current Russian space program, including both manned and unmanned missions. He examines the various types of unmanned applications programs as well as the crucial military program, and even analyzes the infrastructure of production, launch centres and tracking. You’ll also find discussion of the commercialization of the program and its relationship with western companies. Russia’s current space experiment is also put in a comparative global context. Strong emphasis is placed on Russia’s future space intentions and on new programs and missions in prospect.

Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s. Drawing from a comprehensive corpus of rarely seen photographs and other visual phenomena narrating the Soviet Union's 1957 victory in the 'Race for Space', the author illustrates the media's role in cementing the way for Communism whilst retaining top-secret information. Each photo is examined as a deliberate, functioning part of a specific political, ideological and historical situation that helped to anchor the otherwise abstract political and intellectual concepts of the future and modernization.