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Excerpt from Russia in Central Asia in 1889& The Anglo-Russian Question A few words of explanation as to what these chap ters do, and what they do not, profess to be. Their pre tensions are of no very exalted order. They are, in the main, a record of a journey, taken under circumstances of exceptional advantage and ease, through a country, the interest of which to English readers consists no longer in its physical remoteness and impenetrability, but rather in the fact that those conditions have just been superseded by a new order of things, capable at any moment of bringing it under the stern and immediate notice of Englishmen, as the theatre of imperial diplo macy; possibly - quad di avertant omen - as the thresh old of international war. Travel nowadays, at least in parts to which the railway has penetrated, is unattended with risk and is relatively shorn of adventure - a de cadence which separates my story by a wide gulf of division from that of earlier visitors to the Transcaspian regions. These pursued their explorations slowly and laboriously, either in disguise or armed to the teeth, amid suspicious and fanatical peoples, over burning deserts and through intolerable sands. The later traveller, as he follows in comparative comfort the route of which they were the suffering pioneers, may at once admire their heroism and profit by their experi ence. With such forerunners, therefore, I do not pre sume to enter into the most remote competition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Russian Central Asia is the vast area, half as large as the United States, extending from the Caspian Sea to China, from Siberia to northern Iran. Ever since its conquest by Russia in the nineteenth century this region has been both an asset and a problem--because of its strategic and economic importance and because of its several million Moslem inhabitants, to this day unassimilated and unreconciled to Russian control. This book describes events under Imperial Russian rule, treating the period in the light of the conflict between nineteenth-century concepts "the white man's burden" and the awakening aspirations of colonial peoples, and as part of the contest between Western imperialism and the Islamic world. It shows the enduring geographic, political, and cultural factors that must be faced by an regime in Central Asia, provides a basis for comparison between the methods and motives of the Imperial Russian colonizers and those of the Soviet regime, and refutes misconceptions regarding Russian colonizing techniques.

“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.” - Jeff Sahadeo, Associate Professor, Carleton University, Canada “Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin. It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.