“The material contained in this book is drawn from lectures, some of which were delivered in 1957-1958 in the schools at Oxford University, others — in the spring of 1960 — at Harvard University... This is a study of the relationship between the Soviet Union and the major Western countries, from the inception of the Soviet regime in 1917 to the end of World War II. It is not intended as a chronological account of the happenings in this phase of diplomatic history, but rather as a series of discussions of individual episodes or problems.” — George F. Kennan, Russia and the West Under Lenin and Stalin Kennan describes the diplomatic dilemmas that grew out of ignorance and mutual distrust, beginning with the Allied intervention in Russia in 1918, through World War I, the Versailles conference, Stalin’s bloody purges of 1934-1938, the Soviet-German Nonaggression Pact of 1939, the end of World War II, and the meeting in Yalta between Churchill, Stalin, and Roosevelt. “It is not often that a book as instructive as this one manages at the same time to be so engrossing that it is bound to keep even general readers fascinated long past their bedtimes. The book’s message is a stern one; the pleasure in reading it derives from the elegant and yet fresh prose style that is one of the many gifts of [the author who] is an artist as well as an experienced diplomat; a moralist as well as a consummate historian. With superb felicity and grace, he here unfolds a historical narrative rich in prophetic judgments — prophetic in the Biblical sense of the word. Not everyone, of course, will agree with all of Mr. Kennan’s conclusions, but there is so much that is useful in this volume that even those who have reservations about one or another of the judgments in it will welcome it warmly as a significant contribution in several ways.” — Marshall D. Shulman, The New York Times “Superbly concise, meaty, and lucid. It surveys the whole fascinating, involved drama of Communism’s rise to world power.” — Newsweek “Every adult American ought to read it.” — William L. Shirer “Surely one of the most important books since the end of the last war... an over-all view that transcends the provinciality of so much of our foreign policy and embraces the whole immense area from Washington to Peking.” —The New Yorker “An important, a disturbing, a deeply moving book.” — New York Herald Tribune Book Review “Not only Mr. Kennan’s finest book, but also the best that has been written on Russia in this century.” — Sir Robert Bruce Lockhart “In this absorbing and eloquent book... Mr. Kennan reviews with much perception and sensitivity the ragged course of relations between the Soviet Union and the West from 1917 to 1945. While there is much in Western understanding and action to be criticized in the early years, during the inter-war period and during World War II, Mr. Kennan is keenly aware of the intense hostility of the Communist stance which exacerbated all problems.” — Foreign Affairs “Kennan, a fine writer as well as historian and diplomat, has made a magnificent attempt to put into order the chaotic relations between Russia and the West from the Communist Revolution to the end of World War II... A most important book, deserving the widest possible readership.” — Kirkus “[A] remarkable ‘best-seller.’ This fact is a tribute to both the author and the subject with which he deals. It is superfluous to comment on Mr. Kennan’s authority or on the brilliance of his lucid prose, which are again in evidence in this work. It is a volume not easily put aside as a mere purveyor of information; it solicits judgments and proffers them lavishly, inviting agreement or dissent.” — Slavic Review “[A] valuable volume. It is full of flashes of insight, into both Soviet and Western attitudes and policies, and it reveals the painful dilemmas Wilson, Roosevelt, and other Western leaders faced in dealing with this new state and system.” — The Slavic and East European Journal

A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

A chilling, riveting account based on newly released Russian documentation that reveals Joseph Stalin’s true motives—and the extent of his enduring commitment to expanding the Soviet empire—during the years in which he seemingly collaborated with Franklin D. Roosevelt, Winston Churchill, and the capitalist West. At the Big Three conferences of World War II, Joseph Stalin persuasively played the role of a great world leader, whose primary concerns lay in international strategy and power politics, and not communist ideology. Now, using recently uncovered documents, Robert Gellately conclusively shows that, in fact, the dictator was biding his time, determined to establish Communist regimes across Europe and beyond. His actions during those years—and the poorly calculated responses to them from the West—set in motion what would eventually become the Cold War. Exciting, deeply engaging, and shrewdly perceptive, Stalin’s Curse is an unprecedented revelation of the sinister machinations of Stalin’s Kremlin.

Since Russia has re-emerged as a global power, its foreign policies have come under close scrutiny. In Russia and the West from Alexander to Putin, Andrei P. Tsygankov identifies honor as the key concept by which Russia's international relations are determined. He argues that Russia's interests in acquiring power, security and welfare are filtered through this cultural belief and that different conceptions of honor provide an organizing framework that produces policies of cooperation, defensiveness and assertiveness in relation to the West. Using ten case studies spanning a period from the early nineteenth century to the present day - including the Holy Alliance, the Triple Entente and the Russia-Georgia war - Tsygankov's theory suggests that when it perceives its sense of honor to be recognized, Russia cooperates with the Western nations; without such a recognition it pursues independent policies either defensively or assertively.

Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.