The Russian Revolution and Civil War - as never seen before! Packed with jaw-dropping, at times blood-curdling images, Russia Accursed! showcases the reaction of Ivan Vladmirov (1869-1947) to the human suffering and Bolshevik barbarity he observed as an artist-reporter during the years 1917-25. Some of his paintings and watercolours appeared in magazines and periodicals, including London weekly The Graphic (Vladimirov's mother was English). But other scenes - featuring point-blank executions, passers-by cutting chunks of meat from a dead horse or dogs gnawing at a human corpse - were deemed too shocking for publication and had to be secretly exported from the USSR by American relief workers. Selected from private collections, Russian museums and the Hoover Library at Stanford University, California, most of the 160 Vladimirov images in this majestic 324-page volume are published here for the first time. Placed in their historic context by scholarly essays, contemporary photographs and eye-witness quotes, they revolutionize our understanding of the beginnings of the Soviet Union.

The ideas of the Cosmists have in recent decades been rediscovered and embraced by many Russian intellectuals. Here, Young offers a dynamic and wide-ranging examination of the lives and ideas of the Russian Cosmists.

In Putin's Labor Dilemma, Stephen Crowley investigates how the fear of labor protest has inhibited substantial economic transformation in Russia. Putin boasts he has the backing of workers in the country's industrial heartland, but as economic growth slows in Russia, reviving the economy will require restructuring the country's industrial landscape. At the same time, doing so threatens to generate protest and instability from a key regime constituency. However, continuing to prop up Russia's Soviet-era workplaces, writes Crowley, could lead to declining wages and economic stagnation, threatening protest and instability. Crowley explores the dynamics of a Russian labor market that generally avoids mass unemployment, the potentially explosive role of Russia's monotowns, conflicts generated by massive downsizing in "Russia's Detroit" (Tol'yatti), and the rapid politicization of the truck drivers movement. Labor protests currently show little sign of threatening Putin's hold on power, but the manner in which they are being conducted point to substantial chronic problems that will be difficult to resolve. Putin's Labor Dilemma demonstrates that the Russian economy must either find new sources of economic growth or face stagnation. Either scenario—market reforms or economic stagnation—raises the possibility, even probability, of destabilizing social unrest.

Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

John Fennell's history of thirteenth-century Russia is the only detailed study in English of the period, and is based on close investigation of the primary sources. His account concentrates on the turbulent politics of northern Russia, which was ultimately to become the tsardom of Muscovy, but he also gives detailed attention to the vast southern empire of Kiev before its eclipse under the Tatars. The resulting study is a major addition to medieval historiography: an essential acquisition for students of Russia itself, and a book which decisively fills a vast blank on the map of the European Middle Ages for medievalists generally.

An expert historian and former ambassador to Moscow unlocks fact from fiction to reveal what lies at the root of the Russian story. Churchill remarked that Russia is a riddle wrapped in a mystery inside an enigma. That has become an excuse for intellectual laziness. Russia is not all that different from anywhere else. But you have to disentangle the facts from the myths created both by the Russians themselves and by those who dislike them. In this dynamic new history, Rodric Braithwaite—Russia expert and former ambassador to Moscow—does exactly that, unpicking fact from fiction to discover what lies at the root of the Russian story. Russia is the largest country in the world, with the largest arsenal of nuclear weapons. Over a thousand years this multifaceted nation of shifting borders has been known as Rus, Muscovy, the Russian Empire, and the Soviet Union. Thirty years ago it was reinvented as the Russian Federation. Like the rest of us, the Russians constantly rewrite their history. They, too, omit episodes of national disgrace in favor of patriotic anecdotes, sometimes more rooted in myth than reality. Russia is not an enigma, but its past is violent, tragic, sometimes glorious, and always complicated.