A magazine editor in New York, Jessie Knadler had a habit of always looking over her shoulder for better options. She wasn’t quite sure moving to Montana and marrying a cowboy was a better option—but, head over heels in love, she did it anyway. At a loss in her new rural environment, she hoped that activities like chicken farming and fence building might provide her with a more profound, virtuous sense of self (and make her husband Jake love her even more). It all led her to some strange situations—and surprising realizations. Written with huge personality and searing wit, Rurally Screwed is an immensely entertaining and moving memoir about the things we do for love—and the lengths we’ll go to find our true identity.

An investigation into the societal impact of intelligent, high-achieving women who are honing traditional homemaking skills traces emerging trends in sophisticated crafting, cooking and farming that are reshaping the roles of women.

The Best Tool of the Millennium The seeds of Rybczynski's elegant and illuminating new book were sown by The New York Times, whose editors asked him to write an essay identifying "the best tool of the millennium." The award-winning author of Home, A Clearing in the Distance, and Now I Sit Me Down, Rybczynski once built a house using only hand tools. His intimate knowledge of the toolbox -- both its contents and its history -- serves him beautifully on his quest. One Good Turn is a story starring Archimedes, who invented the water screw and introduced the helix, and Leonardo, who sketched a machine for carving wood screws. It is a story of mechanical discovery and genius that takes readers from ancient Greece to car design in the age of American industry. Rybczynski writes an ode to the screw, without which there would be no telescope, no microscope -- in short, no enlightenment science. One of our finest cultural and architectural historians, Rybczynski renders a graceful, original, and engaging portrait of the tool that changed the course of civilization.

Drawing on love studies and research in material cultures, this book seeks to re-examine love through materiality studies, especially their recent incarnations, new materialism and object-oriented philosophy, to spark a debate on the relationship between love, objects and forms of materializing affection. It focuses on love as a material form and traces connections between feelings and materiality, especially in relation to the changing notion of the material as marked by digital culture, as well as the developments in understanding the nature of non-human affect. It provides insight into how materiality, in its broadest sense, impacts the understanding of the meanings and practices of love today and reversely, how love contributes to the production and transformation of the material world.